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February 14, 2017
Adam and I are thinking about change over time - how one experiences change as one ages, how one’s relationship to time changes. We’re thinking about how the environment around us changes - how the tectonic plates shift and the earth quakes, how the tides rise and fall, how some nights the stars appear in
January 31, 2017
CounterPulse Spring 2017 brings forth a milieu of performance makers for a season of works that will be respite from and resistance to the powers that be. We make space this spring season for risk, pleasure, solidarity, conflict, and futurity. CounterPulse is your home for radical ridiculousness, dissident discomposure, and all adjacent anarchic alliterations ;
November 17, 2016
By Erica Dixon I met with our 2016 Performing Diaspora artists to chat about their process two weeks ago, the week before our recent election. After last week's reaffirmation of our country's divisiveness and bigotry, the exploration of the artist's role in activist work feels more important now than ever. A question that I have
October 28, 2016
I will never forget the moment I met you. Really met you. It was just 2 ½ years ago. I was 22 years old and although I had visited you when I was three and again when I was sixteen… I really never met you until I was 22. I had just returned from Mindanao…
October 27, 2016
Me and my family at CounterPulse's Magenta Party earlier this year A note from Executive Director Tomás Riley on Prop S Dear CounterPulse Family, We are in the thick of the struggle for simultaneously preserving San Francisco as the creative capital and safe haven for families it represents for thousands of
October 21, 2016
The Americans With Disabilities Act of 1990 set the bar for equitable physical access to facilities and public accommodations. Bathrooms are handicap accessible, buildings have elevators, stairs have handrails, Braille signage is posted, doorways are wide enough for wheelchairs, toilets have grab bars and so on What the ADA requirement doesn’t mandate is a mindset
October 19, 2016
Emotional labor is not unlike physical labor. I build muscles through repetition to lift to hold to erase I build muscles to grieve
October 13, 2016
"In this age of dissociated reality we must remember the machine is an embodiment of us and we are responsible for its boundaries." -Jennifer Eddy, STAND GROUND. Come engage in the dialogue. STAND GROUND opens Thursday and runs Oct 13-15 & 20-22.
October 7, 2016
https://www.flickr.com/photos/counterpulse/29058367604/in/photostream/ Dohee Lee's ARA Ritual I: Waterways, Photos by Robbie Sweeny Have, you ever noticed, when you attend a CounterPulse show, that you, as a member of the the audience, stand a good chance of having a performer ask for your help with summoning something? Energy, clapping your hands, stomping your feet,
October 6, 2016
Standing sexy at 3 feet tall, 4 feet wide and stretched 6 feet long, this is where I sleep. Sure I can't move around aimlessly, spread my legs sit up or roll over more than once. In the berthing racks are stacked three high. Well, you have to fit 60+ girls in here. The best
October 4, 2016
I no longer carry the weapon I once thought of as a dear friend, an extension of myself that was intended for killing, yet kept me safe. I know this is not what many want to hear, but you must understand the context, you must understand war, not as a spectator in the audience, but
October 3, 2016
the days are much longer here. we wake up early. we sleep early and into the night. we dream wild dreams that feel too real but ought not to be. or else. or at least that is the summary of what occurs therein. it's good to hear mom's boisterous laugh. it breaks to hear her cry for her mother. my grandmother. in my dreams