Dandelion Dancetheater

1 Dec, 2010

Beginning

2016-03-18T22:20:10-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|Tags: |

Today is the first day of my very first CounterPULSE ARC residency. I'm excited and scared by what lies ahead. I'll be working with my Dandelion Dancetheater interdisciplinary ensemble on the next stage of a multi-year project exploring the ins and outs of competition. We began with a vision for creating a Reality TV program on experimental dance creation in collaboration with videographer Austin Forbord. Over the past year of initial experiments we have encountered a tremendous amount of emotional

9 Jan, 2011

The Best Laid Plans…

2016-03-18T22:19:57-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater, Video|Tags: , , , , , , , , , , , |

A particularly challenging and fertile aspect of being a creator of experimental performance is that I often have to describe a project in detail many months or even years before I start on it. When working with 10 or more ensemble members and needing to plan out schedules and spaces that are accessible for dancing, instruments, wheelchairs, props, sets and more, I have to do a lot of advance planning. I joke often with my husband about how I have

9 Jan, 2011

Synchronicities

2016-03-18T22:19:45-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater, Video|Tags: , , , , , , , , , , , |

One of my favorite things about the creative process is synchronicity. I follow intuition above all else in my art making and find myself continually rewarded by the ways that relationships I never could have dreamed up appear all of a sudden. Until recently I was planning on making a piece called Don't Suck! Cycle II as part of a four month residency at CounterPULSE in San Francisco. The recent deaths of my close friend Sharon and my grandmother moved

12 Jan, 2011

Public Showings

2016-03-18T22:19:33-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|Tags: , , , , , , , , , |

We have our first work-in-progress showing for my CounterPULSE residency this coming Saturday, Jan. 15th. Even though we're still at the beginnings of our creation process, I'm very glad we have this showing to work towards. There are many reasons that I find public showings of performance works in progress useful. These include: --forcing us as artists to make some decisions about what we want to show --giving a deadline to a particular segment of our creation process --encouraging everyone

18 Jan, 2011

Injury as Teacher

2016-03-18T22:19:18-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater, Video|Tags: , , , , , , , , , , |

I'm often able to tell other people when they are injured how much every injury can be a teacher. When it's not me having to hold back from moving with physical abandon, I see the benefit of learning about our limitations and our vulnerability through our injuries. When I have an injury, my vision is a lot murkier and I have to wade through a lot of resistance before I come to some kind of acceptance of what happened and

12 Feb, 2011

Birthing Pains

2016-03-18T22:19:07-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|Tags: , , , , , , , , , |

I see the creation of each art work as a kind of birth. There's both great connection and great pain in this process, and I often forget that the magnitude of how connecting a piece is directly relates to how painful its birth can be. Last week we tried out a structure for performing a lot of the most salient material we've been developing in our Friend project. It's a difficult feat to imagine how to collage together all the

12 Feb, 2011

Conditioning

2016-03-18T22:18:54-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|Tags: , , , , , , |

I'm humbled to see how deep so much of my conditioning runs. I've been learning about and experimenting with inclusive dance techniques for almost a decade now. I'm continually looking for ways to make the ways I perform, think about, create and teach dance/theater inclusive of people with diverse mobilities. And still my conditioning asserts itself over and over. I fall back on how I learned to dance. Sometimes this is wonderful and provides a storehouse of movement approaches and

13 Feb, 2011

This One’s For Friendship

2016-03-18T22:18:42-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|Tags: , , , , , , , , , , , , |

One of the things that is shifting in me in response to the recent death of my friend Sharon Mussen is a re-prioritizing of friendship. I had a professor in grad school tell me once that I should never direct my friends in my projects--that the roles become too confusing. Even though I respect this professor very much, that advice somehow confirmed for me how much I operate from exactly the opposite view. I love creating experimental performance precisely because

13 Feb, 2011

2nd Work in Progress Showing

2016-03-18T22:18:25-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater, Video|Tags: , , , , , , , , , , , , |

I was reminded yesterday of how helpful work in progress showings are. I often forget that this is an experimental form we're working in, and that experimental forms need actual experiments. While performances are experiments, they are high-pressure ones, and I learn as much, if not more from showings along the way. Here's some excerpts from ours yesterday:

14 Feb, 2011

Investigating Mysteries

2016-03-18T22:18:11-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|Tags: , , , , , , , , , , , , |

I love mysteries. I love mystery novels and movies, and mysterious stories and myths. I love when spiritual teachers refer to the divine as the "Great Mystery." More and more these days I'm seeing my performance work as a series of mysteries I'm immersed in. Each new performance project at times seems like something I've conjured up with my collaborators, and at other times like something much bigger and mysterious that we are entering into. I much prefer the latter

17 Feb, 2011

Reflections on Queer Dance

2016-03-18T22:17:55-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|

The following is my introductory note in the program for tonight's 2nd Annual Queer Dance Festival at CSU East Bay, followed by some related videos. This felt like an appropriate exploration to share here: Reflections on the Nature of “Queer Dance” By Queer Dance Festival Director Eric Kupers February 17th, 2011 University Theatre, CSU East Bay I want to attempt a definition of “Queer Dance,” (even though I believe that these two words are ultimately impossible to pin down.) “Queer”

2 Mar, 2011

Refueling

2016-03-18T22:17:43-07:00By |Categories: Artists in Residence, CounterPULSE, Dandelion Dancetheater|

Being a person is hard work. And then being a person who is living as an artist adds a whole new layer of difficulties. A lot of the time I pride myself on being able to keep on keepin' on, no matter how hard the traveling becomes. And I am committed in my creative work to not settle for easy answers, but instead to approach challenges directly, even inviting them to come forward. Developing capacity for great emotional and physical

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