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May 4, 2018
I don’t actually remember the first time that I met Julie, but I do have a picture in my head of sitting at my desk at the old CounterPulse, at 1310 Mission, and looking to my left and seeing her working at a desk that we rented out to Jess Curtis at the time for
April 26, 2018
An excerpt from Jesse Hewit's piece on Upstanding Others as part of the 2018 CounterPulse Festival. Originally published on SFMOMA's Open Space. Read the full piece here. The premise: Upstanding Others was an experiment that happened within the inaugural CounterPulse Festival, and it happened from March 12 through March 17, 2018. There were eight to ten
April 2, 2018
Great news! CounterPulse is a participant in SFMTA's Community Service Program, which allows eligible people to pay off their San Francisco parking tickets through community service. The Community Service Program is for people who cannot afford to pay their parking tickets or traffic violations. People are assigned community service hours in lieu of paying. Project 20 serves
March 24, 2018
Excerpted from the original post “Musings on Unison” on online blog, Life as a Modern Dancer: http://blog.lifeasamoderndancer.com/2018/03/musings-on-unison.html Jill Holman Randall-Inside a work, what strategies do you use to perform in unison? Lauren Simpson- We make and perform unison a lot. We never perform in unison to metered music because it flattens and “regularizes” the idiosyncratic rhythms
March 16, 2018
What is a body But a thing That we have made life into Flesh and bone and fascia Blood and gut and sinew Just things Lumped together In folds and flops Joints and juts Sewn up in a sack Of fat and skin and hair And we all agree It's a body What is a
March 1, 2018
Rehearsal Footage from Simpson/Stulberg Collaborations' Still Life No. 8 as part of CounterPulse's Edge Residency 2018
February 28, 2018
Transcription by: Jazlynn G. Eugenio Pastor (Five Feet Dance Collaborator) Joyce: I don’t know if it’s really questions, but this whole process has really forced me to relook at both my pride and shame of being Chinese; really having to- It’s made me go back. I feel like I’ve kind of worked through
February 28, 2018
Transcription by: Jazlynn G. Eugenio Pastor (Five Feet Dance Collaborator) Clarissa: Hi everybody! This is Five Feet Dance. We’re a dance company focused on making dance, sharing stories, and creating community. We’re currently an edge artist in residence at Counterpulse, making a project exploring the Asian American identity and experience with group
January 3, 2018
CounterPulse is launching into a mind-bending spring season with a series of performances that activate cultural pluralism through human-scale movements and bodily resistance. In spring 2018 we navigate through interplanetary time as lovers and cultural vanguards. Kicking things off in February, the legendary Kei Takei returns to San Francisco for a rare three nights of
December 21, 2017
The Performing Diaspora residency at CounterPulse returned this year with two works mapping the connection between ancestry, queer identity, and tradition asking, ‘How do we collaborate with the force of the unseen? How we can transcend the toxins flowing in our bodies and societies?’ The residency creates a platform for artists of color to tell
December 1, 2017
Combining pompous burlesque acts with intimate confessions, ,wild child" blurs the line between natural and artificial, authenticity and masquerade, reality and fantasy. The performer morphs from one character to the next and reenacts past encounters to discover what sexual desire is. They play with femininity and other gender roles to unveil the joy, fear, shame, violence,
November 26, 2017
Questions to Consider (proposed by Randy): Who are your Lxs Desaparecidxs? In what ways has being in this process shifted your own creative practice, if at all? Where do you see the piece going next and how do you see the work evolving? What questions have persisted since the process began and what new