• September 1, 2011

    Pretonically Oriented v.3 Matrix (part of FACT/SF’s Thirsty Thursdays)

    By Published On: September 1st, 2011

    In just ONE WEEK, our fantastic show opens!  Sometimes people wonder how choreographers make dances.  There are many different ways - this is one of them.  FACT/SF, like a hearty breakfast, is both nutritious and delicious.  

  • August 29, 2011

    Masterwork Call for Auditions

    By Published On: August 29th, 2011

    The artist Mica Sigourney is seeking new members for his company specifically for work on his upcoming residence at CounterPULSE, with rehearsals starting in November and final showing on March 23 and 24th.   Requirements: -Enthusiasm -Focus -Courage -Ability to memorize texts and communicate them clearly -Desire to work in an ensemble -Willingness and joy

  • August 29, 2011

    Masterwork entry 2

    By Published On: August 29th, 2011

    Anne Bogart says, in Now You Act "There is really no need to come up with anything new. Redescribing what you have inherited will engender all the novelty and originality you crave." "In trying we attempt a miracle." "If the motivation for action does not transcend the desire for fame and success the quality of

  • August 26, 2011

    A little teaser just for you – POv.3 Premieres in 2 weeks!

    By Published On: August 26th, 2011

    Hello my friends!  In 2 short weeks FACT/SF opens it's fourth season with Pretonically Oriented v.3.  We are THRILLED to bring this new (and super awesome) work your way.  I know you'll be there to see it...because you're rad and cool like that.  I made a short little video to hold you over until opening

  • August 24, 2011

    Touching on that Raya Light!

    By Published On: August 24th, 2011

    Here's an interview with a former Summer Special artist, Raya Light. We can't get enough of her!

  • August 20, 2011

    “Reflections” – Art, Visibility, and “This Movement”

    By Published On: August 20th, 2011

    I am a dancer, choreographer, and the artistic director of Lenora Lee Dance. For the last few years I’ve been developing large scale interdisciplinary works that are deeply rooted in the stories of the Asian American experience, performed and supported by the artistic and cultural communities I’ve had the honor to be a part of

  • August 19, 2011

    sorry i havent been blogging…

    By Published On: August 19th, 2011

    but we've been having a lot of rehearsals. peek! i hope you can make it to the show. its been really exciting seeing everything come together, the beautiful touches of lights and costumes, and the added layer of the video is really exciting for me. but now i should take care of myself, and go

  • August 18, 2011

    Getting started on MASTERWORK

    By Published On: August 18th, 2011

    From Keith Johnstone's Impro: "A sacrifice has to be endowed with a higher status or the magic doesn't work" "It's easy to play the role of artist, but actually to create something means going against one's education." Desmond Morris, The Human Zoo 10 Rules for #1-s 1. You must clearly display the trappings postures and

  • August 10, 2011

    Reception

    By Published On: August 10th, 2011

    Reception is a piece for four men, choreographed by Tessa Wills. It melts together diverse choreographic interests, such as the patterns of birds flocking, stylistic references to the Baroque, and modern dance into a bubble that holds these men in unusual intimacy. The piece strives to strip and reveal the inherent humanity of the performers

  • August 8, 2011

    Artist Interview: Charles Slender (FACT/SF)

    By Published On: August 8th, 2011

  • August 8, 2011

    Artist Interview: Lenora Lee

    By Published On: August 8th, 2011

  • August 8, 2011

    thats depressing…

    By Published On: August 8th, 2011

    Why did I decide to do a play about depression? It’s a question I’m being asked a lot, mostly by myself, as we try to “sell” A Mix Tape For Ophelia. Depression is not an easy sell, and doesn’t sound nearly as exciting as becoming a drag queen or exploring interconnectedness. But maybe the hard