- All
- (X)Change
- Action Hero
- Adia Tamar Whitaker
- Amara Tabor Smith
- Ana Maria Alvarez
- Anne Bluethenthal and Dancers
- Archive
- Artists in Residence
- BodyCartography
- Byb Chanel Bibene
- Charlotte Moraga
- Charya Burt
- CIR
- Classes and Workshops
- clement hil goldberg
- Colette Eloi
- Combustible
- CounterPULSE
- CSA
- Dandelion Dancetheater
- Danica Sena Gakovich
- Devendra Sharma
- Dohee Lee
- Dulce Capadocia
- edge residency
- End of Year Giving
- Events
- FACT/SF
- Faye Driscoll
- Free Events (donations welcomed)
- Gema Sandoval
- Homepage Links
- Images
- internship
- Interview
- Jennifer Chien and Rowena Richie
- Jess Curtis/Gravity
- Jesse Hewit
- Jewlia Eisenberg
- Jia Wu
- Jose Navarrete
- Joti Singh
- Kegan Marling
- Kendra Kimbrough Barnes
- Krista Denio
- Laura Arrington
- Lenora Lee
- Lisa Townsend
- Liz Tenuto
- meg stuart
- Mica Sigourney
- Miriam Wolodarski
- Monique Jenkinson
- Muisi-kongo Malonga
- Nadhi Thekkek
- Opal Palmer Adisa
- Organizational Design
- Performing Diaspora
- Performing Diaspora Events
- Podcast
- Post Show Discussion
- Prumsodun Ok
- season announcement
- Season Announcements
- Seth Eisen
- spring 2017
- Sri Susilowati
- Staff Highlights
- Summer Special 2011
- Summer Special 2012
- Summer Special 2013
- Talks
- Tenderloin
- Turbulence
- Uncategorized
- Video
- Volunteers
- Wang Fei
- Winter Special 2012
- Xandra Ibarra
- Yannis Adoniou
September 1, 2011
In just ONE WEEK, our fantastic show opens! Sometimes people wonder how choreographers make dances. There are many different ways - this is one of them. FACT/SF, like a hearty breakfast, is both nutritious and delicious.
August 29, 2011
The artist Mica Sigourney is seeking new members for his company specifically for work on his upcoming residence at CounterPULSE, with rehearsals starting in November and final showing on March 23 and 24th. Requirements: -Enthusiasm -Focus -Courage -Ability to memorize texts and communicate them clearly -Desire to work in an ensemble -Willingness and joy
August 29, 2011
Anne Bogart says, in Now You Act "There is really no need to come up with anything new. Redescribing what you have inherited will engender all the novelty and originality you crave." "In trying we attempt a miracle." "If the motivation for action does not transcend the desire for fame and success the quality of
August 26, 2011
Hello my friends! In 2 short weeks FACT/SF opens it's fourth season with Pretonically Oriented v.3. We are THRILLED to bring this new (and super awesome) work your way. I know you'll be there to see it...because you're rad and cool like that. I made a short little video to hold you over until opening
August 24, 2011
Here's an interview with a former Summer Special artist, Raya Light. We can't get enough of her!
August 20, 2011
I am a dancer, choreographer, and the artistic director of Lenora Lee Dance. For the last few years I’ve been developing large scale interdisciplinary works that are deeply rooted in the stories of the Asian American experience, performed and supported by the artistic and cultural communities I’ve had the honor to be a part of
August 19, 2011
but we've been having a lot of rehearsals. peek! i hope you can make it to the show. its been really exciting seeing everything come together, the beautiful touches of lights and costumes, and the added layer of the video is really exciting for me. but now i should take care of myself, and go
August 18, 2011
From Keith Johnstone's Impro: "A sacrifice has to be endowed with a higher status or the magic doesn't work" "It's easy to play the role of artist, but actually to create something means going against one's education." Desmond Morris, The Human Zoo 10 Rules for #1-s 1. You must clearly display the trappings postures and
August 10, 2011
Reception is a piece for four men, choreographed by Tessa Wills. It melts together diverse choreographic interests, such as the patterns of birds flocking, stylistic references to the Baroque, and modern dance into a bubble that holds these men in unusual intimacy. The piece strives to strip and reveal the inherent humanity of the performers
August 8, 2011
Why did I decide to do a play about depression? It’s a question I’m being asked a lot, mostly by myself, as we try to “sell” A Mix Tape For Ophelia. Depression is not an easy sell, and doesn’t sound nearly as exciting as becoming a drag queen or exploring interconnectedness. But maybe the hard