15
Oct, 2010
18
Jan, 2011
Injury as Teacher
I'm often able to tell other people when they are injured how much every injury can be a teacher. When it's not me having to hold back from moving with physical abandon, I see the benefit of learning about our limitations and our vulnerability through our injuries. When I have an injury, my vision is a lot murkier and I have to wade through a lot of resistance before I come to some kind of acceptance of what happened and
12
Feb, 2011
Mid Way
I feel half gay. Not sexually that is... I'm not bisexual or sexually confused. I'm clearly hot for men. I just feel culturally half gay. Like somehow I've inherited or learned only a part of the culture, but not actually enough to pass a thorough inspection. If I was to try to board a plane to return to Gay Land, customs would have a field day before letting me pass through. Of course, I don't really feel half straight either.
12
Feb, 2011
Conditioning
I'm humbled to see how deep so much of my conditioning runs. I've been learning about and experimenting with inclusive dance techniques for almost a decade now. I'm continually looking for ways to make the ways I perform, think about, create and teach dance/theater inclusive of people with diverse mobilities. And still my conditioning asserts itself over and over. I fall back on how I learned to dance. Sometimes this is wonderful and provides a storehouse of movement approaches and
1
Mar, 2011
10
Mar, 2011
Artist Interview: Kegan Marling
PART 1 PART 2
14
Mar, 2011
Coming Home
I've often thought about what it means to come home to someone. When you come home to someone, there's comfort and consistency. A dog's tail wagging, rich smells from the kitchen and maybe a kid slamming the screen door to escape outside into the air and wilderness and unknown. But coming home feels like too many slices of other peoples dreams. I get lost in them. They're flip books from another era and a different group of people sitting around
30
Mar, 2011
Entering the Temple of Tech Week
I've come to love tech week--the week leading up to a performance run in which we have tech (technical) rehearsals, dress rehearsals and last minute scramblings to finish. I notice that during this time I am highly energized with a mix of anxiety, anticipation and joy. And I notice that the main thing that keeps me grounded is spending as much time as possible at the theater. I like to get to the place we're performing hours before each event,
16
May, 2011
The Magic
There is an unmistakable magic that occurs when a group of 16 artists fill a room and reveal their craft. 4 people transform into 2 majestic lions… the spirits and essence of the tradition. It’s hard to express the feeling of watching what is in your mind’s eye manifest in front of you, to the glory of your initial vision. Presence, compassion, love, and wisdom. You hear it. You feel it. You know what you are a part of is
28
Jul, 2011
Reflections
The beauty of the artists I’m working with never ceases to amaze me. When I witness them, I witness the uniqueness of each person’s spirit, each person’s love and passion for her or his art, each person’s gift of giving deeply to the birth of this piece. This creative endeavor is bringing to life the histories stored within our bodies. We convey through movement, martial arts, Chinese lion dance, music, text, and video the depth of what cannot be translated
8
Aug, 2011
8
Aug, 2011