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May 5, 2012
One of our current artists in residence, Seth Eisen (Eye Zen Art), uncovered a lot of love for CounterPULSE at May Day last night.
May 2, 2012
http://youtu.be/J1IiEtVIXQQ
April 25, 2012
When I set out to create an experience for Friday April 27th (both curating the evening and creating a performance), I knew it would be inspired by the work of Jean Paul Gaultier. I did not know that it would lead into such a process of inquiry. I am struck by Gaultier's interest in difference –of shape, size, age,
April 20, 2012
Seith Eisen in Residence at CounterPULSE Homo File Drawing and tattoo by Samuel Steward Over the past year I’ve been in the research phase for my next queer history performance project titled Homo File, chronicling the life of Sam Steward, (1907-1994). I am thrilled to tell you that I received a four month residency
April 18, 2012
See a preview of this performance at http://www.indiacurrents.com/articles/2012/04/14/rebelution-poetry-dance-stories
March 17, 2012
DA: You mention that indifference is based on Albert Camus' The Stranger. How did you decide to use this novel as inspiration for your performance? LTCo: As a reflection on the absurdity of free will, indifference questions the troubling impenitence experienced by Camus' protagonist, Meursault. What if free will, which we hold so dear as a marker of individual freedom,
March 11, 2012
As we finish up our first premiere weekend of Arthur in Underland, and move towards our last, (performances run through March 18th) here's some background on the piece, from the Director's Note I wrote for the program: Arthur in Underland is one of the most personally vulnerable pieces I’ve ever made. It is based on
March 9, 2012
Please watch a teaser excerpt from indifference, created by Piro Patton, Patric Cashman, Eric Garcia, & me. The use of positive and negative space speaks to the duality of human nature. Click on the link below. http://vimeo.com/38255427
March 7, 2012
by: Sarah Ashkin Arts Administration Intern On the evening of February 27th a group of forty or so members of the Bay Area community met at CounterPULSE to engage in the Dance Discourse Project: “Dancing and Aging”. Dance Discourse Project is an “on-going series of artist-driven discussions organized by Mary Armentrout and co-produced by Dancers’