- All
- (X)Change
- Action Hero
- Adia Tamar Whitaker
- Amara Tabor Smith
- Ana Maria Alvarez
- Anne Bluethenthal and Dancers
- Archive
- Artists in Residence
- BodyCartography
- Byb Chanel Bibene
- Charlotte Moraga
- Charya Burt
- CIR
- Classes and Workshops
- clement hil goldberg
- Colette Eloi
- Combustible
- CounterPULSE
- CSA
- Dandelion Dancetheater
- Danica Sena Gakovich
- Devendra Sharma
- Dohee Lee
- Dulce Capadocia
- edge residency
- End of Year Giving
- Events
- FACT/SF
- Faye Driscoll
- Free Events (donations welcomed)
- Gema Sandoval
- Homepage Links
- Images
- internship
- Interview
- Jennifer Chien and Rowena Richie
- Jess Curtis/Gravity
- Jesse Hewit
- Jewlia Eisenberg
- Jia Wu
- Jose Navarrete
- Joti Singh
- Kegan Marling
- Kendra Kimbrough Barnes
- Krista Denio
- Laura Arrington
- Lenora Lee
- Lisa Townsend
- Liz Tenuto
- meg stuart
- Mica Sigourney
- Miriam Wolodarski
- Monique Jenkinson
- Muisi-kongo Malonga
- Nadhi Thekkek
- Opal Palmer Adisa
- Organizational Design
- Performing Diaspora
- Performing Diaspora Events
- Podcast
- Post Show Discussion
- Prumsodun Ok
- season announcement
- Season Announcements
- Seth Eisen
- spring 2017
- Sri Susilowati
- Staff Highlights
- Summer Special 2011
- Summer Special 2012
- Summer Special 2013
- Talks
- Tenderloin
- Turbulence
- Uncategorized
- Video
- Volunteers
- Wang Fei
- Winter Special 2012
- Xandra Ibarra
- Yannis Adoniou
August 5, 2015
Julie Phelps: Is there a politic to the ways that the work you are developing in CounterPulse’s ARC Program with the Affinity Project is experimenting with duration, repetition and mutability? Emily Hoffman: It might be more of an attitude than a politic, but I do feel an impulse to disrupt certain structural tropes in performance. I'm
July 25, 2015
Focusing on wellness and self help during the process of creating "This Year Is Different..." has been both illuminating and challenging. This morning I read "The River" by Thich Nhat Hanh. I'm sharing it here because it describes a process of self understanding similar to my personal transformation instigated by creating this piece for the Artist-In-Residence
July 1, 2015
Text does strange things on the stage. For a trained actor, a bit of Chekhov can inaugurate an entire style of performance, with certain assumptions about what's real, what kind of feeling is most powerful, how to get to that feeling. After turning away from text, towards gesture, task, state, other ways of articulating presence,
June 30, 2015
In the studio we are researching the pathways through trauma. We are talking about suffering, grief and how and why people are motivated to move into a new state of being. One of the positive things about trauma is once we begin to climb out of it, I believe we become more open minded, more
June 16, 2015
CP: Marc, in one sentence,what is your story? MS: I have a passion for contemporary dance and performance, based in Zurich, loving San Francisco and having a queer mindset! CP: What was the genesis of Zürich Moves? Where did the inspiration to create the festival come from? MS: I wanted to create a platform for
June 11, 2015
First, I have so enjoyed reading everyone's posts so far. Witches! California! Feminism! Flappers! So in my thinking about the next work I want to make, I am thinking a lot about layers, about simultaneity, and about holding conflict and opposition in one body mind. That which is 'problematic' sometimes enriches, that which is un-feminist
May 27, 2015
I am a bit lost with the blog as I have very little time to read the messages of others and when I am trying to write it all goes queer ;-) I just finished a book by a swiss writer, long time dead by now, Blaise Cendrars "Sutter's Gold"; The story of a swiss
May 26, 2015
I have never met anyone before who wants to become a shittier person. Nobody has ever told me, "yea, I want to treat others worse." or "I love making myself feel badly." Here we are, all striving to be better. Maybe, like me, you feel like you make a million mistakes a day. And maybe,
May 21, 2015
The work i am interested in has been inspired by the roaring twenties was the birth of a new woman. She defied society’s standards of what its women were supposed to do, say, wear, act like and be. She wore shorter skirts, more dramatic makeup, and cut her hair. She flaunted her sexuality. She drank,
May 13, 2015
I finished the Witches book yesterday (thank you Nils). I've been reading two books about time, technology and the future: River of Shadows by Solnit (describing the development of the American railroad, westward expansion and the man who developed quick photography, leading to film) as well as After the Future by Biffo Berardi (theory book
May 12, 2015
"The supernatural is nowadays often seen as opposed to technologies, but the technologies of the era often seemed supernatural themselves. In the well-known words of science-fiction writer Arthur C. Clarke, "Any sufficiently advanced technology is indistinguishable from magic." It is only becuase nature no longer seems so strong and immutable a force that changes no longer
May 12, 2015
I just took out a card from Brian Eno and Peter Schmidt Oblique Strategies, it came out: Use somebody nearby as a model. Which makes me think of appropriation and Mica's proposal. Yes for that! Otherwise I like to share a training I am used to do at the beginning of the day, an one