Performing Diaspora

22 Jul, 2013

The Ginzburg Geographies – Song texts

2013-07-22T12:25:24-07:00By |Categories: CounterPULSE, Jewlia Eisenberg, Performing Diaspora|Tags: , , , |

THE GINZBURG GEOGRAPHY Alla Boara Old Ones Remain Revolution on Borgo San Constanzo Marciar, Marciar Guerra di Popolo Winter in Abruzzo La Filera Corso Re Umberto La Situazione Memoria Piazza Quadrata These 3 Friends La Lega Texts as cited. All music by Jewlia Eisenberg except when cited. ALLA BOARA Traditional O the grasshopper sings on the prongs of the rake There are reapers that count for nothing O the grasshopper sings on the blade of the sickle There are rakers

18 Apr, 2013

Creating. Good. Work.

2013-04-18T11:12:47-07:00By |Categories: CounterPULSE, Nadhi Thekkek, Performing Diaspora|Tags: , , , , |

For me, creating work is often an outward presentation of a very personal journey. In reading Kalidasa’s Meghadhootha, I initially drew inspiration from many different translations, and literary commentaries. In reading the epic poem over and over again, there were certain verses that leapt out from the pages. These lines were coaxed by my own experiences to find comfortable and permanent places in my mind. When I came across these lines, I saw more than the words on the page.

6 Feb, 2013

“Can a mere cloud bear such a message?”

2013-02-06T09:43:12-08:00By |Categories: CounterPULSE, Nadhi Thekkek, Performing Diaspora, Performing Diaspora Events|Tags: , , , , , , , |

I was first inspired by Kalidasa’s Meghadhuta (The Cloud Messenger) in 2009. At the time, I was exploring the role of the messenger in Indian texts and poetry. Often times the role of the messenger was simply stated – a person carrying a message from one lover to another. In dance, in some of the more commonly performed pieces, the messenger was often a sakhi (dear friend) of the nayika (heroine), and the nayika was usually desperately trying to convince

2 Nov, 2010

“Ampey!” Animation in Ancestor Costumes

2010-11-02T17:35:30-07:00By |Categories: Adia Tamar Whitaker, CounterPULSE, Performing Diaspora|Tags: , , , , |

On Saturday, October 30th, the cast of Adia Tamar Whitaker's "Ampey!" took to the streets of San Francisco in full costume and makeup for a fundraising Animation. "Ampey!" premieres at CounterPULSE on Thursday, November 11th. Even if you weren't fortunate enough to see the cast in San Francisco, you can still pledge your support for "Ampey!" by visiting Kickstarter.com

16 Aug, 2010

The Chair in My Dance

2010-08-16T19:07:15-07:00By |Categories: CounterPULSE, Performing Diaspora, Sri Susilowati|Tags: , , , , , |

A Choreographical Investigation I am currently deep in the process of creating the piece to be performed in October. As I do this, I think about what my intentions are, what I want to convey, and what I use to embody (a good word for a choreographer) those intentions. Intentions exist on the level of creating and exploring themes, such as for this piece, the relationship between dancers and food. Intentions also exist on the level of wanting to create

21 May, 2010

Performing Diaspora Artist Wang Fei at SFIAF

2010-05-21T16:58:21-07:00By |Categories: CounterPULSE|Tags: , , , |

We were proud to hear that CounterPULSE Performing Diaspora artist Wang Fei is presenting a finished version of her 2009 Performing Diaspora Festival piece "From Beijing to San Francisco" as a part of the San Francisco International Arts Festival. Congratulations to her and she has offered followers of CounterPULSE a special discount. Her words and details of the discount can be found below: CounterPULSE's alumnus resident artist Wang Fei will be giving a guqin concert “From Before the Tang Dynasty

16 Dec, 2009

Thanksgiving and Performing Diaspora …by Charlotte Moraga

2009-12-16T02:49:31-08:00By |Categories: Charlotte Moraga, CounterPULSE, Performing Diaspora|Tags: , , , , , , , , |

November.  Thanksgiving.  Well, Performing Diaspora was a thanksgiving feast of a sort, for sure.  Dishes of quiet contemplative explosions and moments of mirth filled the platter,  like when Sri did her nonplussed "boob dance" and her sexy "butt dance."  With her back to the audience, she cocked her head as if to say, "I see you, watching me, watching you."  There was Devendra's utterly charming and engrossing nautanki play, Yannis' virtuosic and athletic dance -- one moment in particular took

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