Dance

23 Oct, 2009

Dance Discourse 7: How do we keep our dances from becoming museum pieces? Defining Tradition, Innovation, and Preservation in the Artistic Process

2009-10-23T17:47:02-07:00By |Categories: CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , |

On October 15, 2009 a group of Bay Area artists, arts administrators and audience members met at CounterPULSE for the Dance Discourse Project 7: Dancing Diaspora. Co-presented by World Arts West/ San Francisco Ethnic Dance Festival and Dancers' Group the event was a part of the Fall 2009 season of Performing Diaspora. Learn more about Performing Diaspora at www.counterpulse.org/performing-diaspora/ At the exciting event participants were broken up into small groups where they discussed a variety of pertinent issues concerning traditional

22 Oct, 2009

Performing Diaspora on the Airwaves!

2009-10-22T17:30:44-07:00By |Categories: Adia Tamar Whitaker, Charlotte Moraga, CounterPULSE, Danica Sena Gakovich, Homepage Links, Performing Diaspora, Podcast|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

With Performing Diaspora fast-approaching, some of the artists took a break from the stage and headed over to KPFA's radio studios in Berkeley for a musical sneak-preview of their work on Stephen Kent's show, "Music of the World." In between tracks, our Executive Director Jessica Robinson Love joined them in the conversation about their performances November 5-8. If you missed the program live, give it a listen here!

29 Aug, 2009

Cry into the song

2009-08-29T19:36:19-07:00By |Categories: Adia Tamar Whitaker, CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

The Ewe say " ... you must cry into the song." A man in the taxi said "... you are beautiful when you cry." ... But these things are not easy. To cry into the song when you are still so sad ... To let your beauty shine thru when you feel as though there is nothing to hold you up. Today "Ampey!" took it's first breath. It's a girl and a boy. A mommy and a daddy ... very

19 Aug, 2009

The Memo

2009-08-19T10:19:12-07:00By |Categories: Adia Tamar Whitaker, CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

I didn't get the memo. You know the one that breaks down the ways in which descendants of enslaved Africans have a different (but just as post traumatic stress disordered psychosis) than the descendants of colonized Africans. To be fair, I looked completely different when I've traveled abroad before (I had long hair), AND there is no pronoun for "he"or "she" in Ghanaian language. Word. My bad. Yet and still, I was expecting some kind of Haiti-ish/Southern American Negro/Caribbean stratification

26 Jun, 2009

Rebecca Whittington: Bharatanatyam (Indian Classical) Dance Performance

2009-06-26T18:00:59-07:00By |Categories: Events|Tags: , , , , , |

Fri. & Sat. June 26-27, 8pm Sun. June 28, 6pm, $15 Rebecca Whittington, trained by Arul Francis, performs classical Bharata Natyam. Program: alarippu, jatiswaram, varnam, padam. Compositions of the Tanjore Quartet, as choreographed by Pandanallur Subbaraya Pillai. More information: arulfrancis.com Buy Tix Now!

31 May, 2009

in/divisible

2009-05-31T14:00:38-07:00By |Categories: CounterPULSE|Tags: , , , , |

from brittany: (www.danceceres.org) In this work, I am reminded how many times it takes an idea/concept to enter the body before it actually sinks into to my bones? Some times a feeling is instantaneous- other times it takes years to absorb and safely reside. How long does a new experience rest quietly in the bones before our consciousness gives us context towards a deeper grasp-- before a reason to understand that backlogged experience presents itself and we fully come into

3 Apr, 2008

Intercontinental Collaborations 3—The Symmetry Project

2008-04-03T08:00:03-07:00By |Categories: CounterPULSE, Events, Homepage Links, Images, Video|Tags: , , , , , , |

Jess Curtis/Gravity with Maria Scaroni and Croi Glan Integrated Dance Company Thurs.–Sun. Mar. 27-30, Apr. 3-6, 8pm $18 Thurs. & Sun, $20 Fri. & Sat. Two naked bodies interact through a highly structured improvisational score. Manipulating our perception, they reveal the body’s awkwardness, its potential failure and finiteness, creating space for the unknown, the wondrous, the infinite. Plus the premiere of a new work for Croi Glan Integrated Dance Company from Cork, Ireland. More Info: www.jesscurtisgravity.org PREVIEWS conversation with Jess

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