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Jan, 2012
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Jan, 2012
Quarter 3: The music of Murakami
If Murakami's works came to life, and you could suddenly take a stroll through them, chances are music would be everywhere. Chauffeured in a car, you would hear "the classical strains of Chopin." In the bathroom of Denny's, Hall & Oates' I can't go for that would be playing. And jazz would fit into the small spaces everywhere else. I knew when I started this piece, music would figure in significantly to it, and my musical selections might not match
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Feb, 2012
Quarter 4: Collaboration
Special thanks to Lynn Huang for writing and contributing this post to the Murakami conversation. Lynn is one of the four talented performer/collaborators in Hotel in a Bottle, which opens next Friday! "Portales! We’re doing portales piquitos and then portales grandes, right?” Erin asked. “Si! Si!” we replied in turn. Despite the fact that none of us actually speak Spanish, in the context of our rehearsals, we did. The five ‘portals’ scattered around the perimeter of the stage in
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Feb, 2012
Dandelion – Interview of Underland Co-Director
Emmaly Wiederholt interviewed "Arthur in Underland's" Co-Director, Writer and Performer Mantra Plonsey about the creation of Dandelion's new work: EMMALY WIEDERHOLT: What was the process of drawing from Eric's personal history to write Arthur in Underland? Conversely, what is it like to perform in? MANTRA PLONSEY: Eric had recently completed the process of creating and producing AND performing in our past winter season's piece FRIEND, which dealt with a dear companion's death from a brain tumor, with whom he had gallivanted around during
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Mar, 2012
Monique Jenkinson at the de Young
My fellowship at the de Young Museum/Fine Arts Museums of San Francisco begins now! All year I will be working at the de Young – researching, creating, performing – enjoying this incredible opportunity to expand the scope and context of my work, to interact with the museum’s collections and curators, to ignite new collaborations, and to bring some of my favorite past collaborators with me to the museum. Starting Wed 2/15 I will begin a 2-week residency at the de
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Mar, 2012
Underland Background
As we finish up our first premiere weekend of Arthur in Underland, and move towards our last, (performances run through March 18th) here's some background on the piece, from the Director's Note I wrote for the program: Arthur in Underland is one of the most personally vulnerable pieces I’ve ever made. It is based on a year in my life that turned everything I believed and wanted upside down. When I was 15 I left my native Los Angeles to
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Mar, 2012
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Mar, 2012
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Apr, 2012
Homo File Audition/Workshop
Seith Eisen in Residence at CounterPULSE Homo File Drawing and tattoo by Samuel Steward Over the past year I’ve been in the research phase for my next queer history performance project titled Homo File, chronicling the life of Sam Steward, (1907-1994). I am thrilled to tell you that I received a four month residency at CounterPULSE to develop the project. I will be creating, writing and directing a new ensemble performance piece with the help of CounterPULSE's Artist Residency
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Sep, 2012
Documentary of Turbulence in France
Turbulence was developed in part during a residency at Regards et Mouvements in Pontempeyrat, France. Circo Zero - Turbulence from celavie on Vimeo.
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Nov, 2012
Interview with Sebastian Grubb on Dance and Fitness
July 09, 2012 by James Koroni http://www.enforcedarch.com Enforced Arch ‘Mover’ and contributor, Sebastian Grubb takes life one step at a time but carries the world in his arms. Tackling fitness, nutrition and dance in one lifetime may seem overwhelming but for him, it’s done with grace. He is thrilled to share his expertise with the world and has recently launched a website where you can get the best of all three worlds in one place. I had the opportunity to
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Feb, 2013
“Can a mere cloud bear such a message?”
I was first inspired by Kalidasa’s Meghadhuta (The Cloud Messenger) in 2009. At the time, I was exploring the role of the messenger in Indian texts and poetry. Often times the role of the messenger was simply stated – a person carrying a message from one lover to another. In dance, in some of the more commonly performed pieces, the messenger was often a sakhi (dear friend) of the nayika (heroine), and the nayika was usually desperately trying to convince