Underland Background
As we finish up our first premiere weekend of Arthur in Underland, and move towards our last, (performances run through March 18th) here's some background on the piece, from the Director's Note I wrote for the program: Arthur in Underland is one of the most personally vulnerable pieces I’ve ever made. It is based on a year in my life that turned everything I believed and wanted upside down. When I was 15 I left my native Los Angeles to
Monique Jenkinson at the de Young
My fellowship at the de Young Museum/Fine Arts Museums of San Francisco begins now! All year I will be working at the de Young – researching, creating, performing – enjoying this incredible opportunity to expand the scope and context of my work, to interact with the museum’s collections and curators, to ignite new collaborations, and to bring some of my favorite past collaborators with me to the museum. Starting Wed 2/15 I will begin a 2-week residency at the de
Dandelion – Interview of Underland Co-Director
Emmaly Wiederholt interviewed "Arthur in Underland's" Co-Director, Writer and Performer Mantra Plonsey about the creation of Dandelion's new work: EMMALY WIEDERHOLT: What was the process of drawing from Eric's personal history to write Arthur in Underland? Conversely, what is it like to perform in? MANTRA PLONSEY: Eric had recently completed the process of creating and producing AND performing in our past winter season's piece FRIEND, which dealt with a dear companion's death from a brain tumor, with whom he had gallivanted around during
Quarter 4: Collaboration
Special thanks to Lynn Huang for writing and contributing this post to the Murakami conversation. Lynn is one of the four talented performer/collaborators in Hotel in a Bottle, which opens next Friday! "Portales! We’re doing portales piquitos and then portales grandes, right?” Erin asked. “Si! Si!” we replied in turn. Despite the fact that none of us actually speak Spanish, in the context of our rehearsals, we did. The five ‘portals’ scattered around the perimeter of the stage in
Quarter 3: The music of Murakami
If Murakami's works came to life, and you could suddenly take a stroll through them, chances are music would be everywhere. Chauffeured in a car, you would hear "the classical strains of Chopin." In the bathroom of Denny's, Hall & Oates' I can't go for that would be playing. And jazz would fit into the small spaces everywhere else. I knew when I started this piece, music would figure in significantly to it, and my musical selections might not match
The new food pyramid of dance: a creative plate
Picture it now: there is a plate on the table in front of you, full of creative, Hotel-in-a-Bottle-icious food to eat. A quarter of that plate has been inspired by text (thank you, Haruki Murakami!) A second quarter has been inspired by video imagery and design (thanks again, HM, and cheers to Mark and Dawn at Troika Ranch who made design possible for me!) Quarter #3 of that plate has been inspired by dancers' experiences, interests, and improvisations (props to
Eau de Murakami
Well, hello there, CounterPULSE blogosphere! My name is Erin Malley, and I’m one of your Winter Special Artists. I’m also a new face in San Francisco, please don’t hesitate to say hello. Better still, take me out and show me your favorite local spots! I relocated to SF just a couple of years ago from NYC, and have already fallen in love with the left coast. My show in the Winter Special series is Hotel in a Bottle, which takes
A little teaser just for you – POv.3 Premieres in 2 weeks!
Hello my friends! In 2 short weeks FACT/SF opens it's fourth season with Pretonically Oriented v.3. We are THRILLED to bring this new (and super awesome) work your way. I know you'll be there to see it...because you're rad and cool like that. I made a short little video to hold you over until opening night. In the meantime, buy a ticket. See you soon my lovelies, ~Charles http://youtu.be/gjUcwQ_NtL8