Seth and Remy - Photo by Adam Paulson By Seth Eisen In 2006 after Remy Charlip had a stroke I was given the task of packing and moving all of his artwork and personal items to storage and to help facilitate the creation of a list of every item in the collection- a massive task. I worked for several months to support the great effort of archivist John Held Jr. who catalogued Remy’s entire collection. Every single item
As you may or may not know, today is Giving Tuesday. A day where we can repent with our dollar, and generate enough warm fuzzies to obliterate any feelings around what we do with our money every other day of year. Another day where the forces of mass communication can commodify, essentialize, and spin yet another aspect of our lives: our right to community participation. Giving Tuesday is giving us at CounterPulse a moment to reflect. We reject the notion
A colleague of mine, Katharine Hawthorne, came to our recent work-in-progress showing and asked me a few questions about the work. Below is our interview that discusses why I am making a musical and how working during CounterPulse's construction has influenced the piece: Interview: Liz Tenuto/Dance and a Half This Year is Different: A Self-Help Musical What is your favorite moment or section in the piece? My favorite aspect of the piece are the songs. I love how they carry
Dear CounterPulse Community, We have an important update regarding the 80 Turk Project. The opening performance of our 80 Turk Inaugural Season, will in fact, not be happening at 80 Turk. Due to sudden timeline delays with the renovation of the theater, our partners and friends at Joe Goode Annex will be hosting all evening performances of Hope Mohr Dance Bridge Project, Rewriting Dance. Tickets can still be purchased though our site here >>http://dev-counterpulse.pantheon.io/rewriting-dance/ We firstly, thank Hope Mohr and
Executive Director, Tomás Riley, working with staff and volunteers to paint our new theater space! As we enter into the Inaugural Season at our new home on 80 Turk Street, we feel as if coming home from a long journey. The building has not been an easy project - from rallying multi-million dollar support to aligning ourselves to a new neighborhood, while maintaining a stronger than ever focus on grassroots, community-facing programming - our scrappy team is ready
Our new Community Engagement Fellow: Alexandra Maricich Photo Credit: Chelsea Rodino This story begins long ago in Seattle. Where I met my dear friend and collaborator at Cornish College of the Arts: Mariah Martens. We have confided, confronted, confirmed, collected, constructed, created, condensed, conversed every part ourselves to each other. In between graduating from Cornish and the explosive summer there after, we decided to apply to NextFest NW14 New West. The seed of Ask Me About My Ass, came
80 Turk in Fall 2014, Photo by Kegan MarlingOur Inaugural Season crowns a remarkable, highly anticipated move to a state-of-the-art facility at 80 Turk Street. Appropriately enough, the season, creations from artists variously working in New York, Austin, Ireland, Berlin, and the Bay Area, offers a kaleidoscopic set of reflections on metamorphosis whether in the context of the immigrating body, the racialized body, or the consumerist body. This process of renovating brick-and-mortar is consonant with a set of artistic inquiries
James: So the first question I have – what’s the first word that comes to mind when you think of our new home at 80 Turk Street? Tomás: Potential – I mean, CounterPulse has the potential to transform the community; it’s something that’s so needed and necessary in the Tenderloin. The Tenderloin certainly has the reputation that it has, but it also has the highest concentration of children and families in the city. Our building is a tremendous resource and
An update from the field, with CounterPulse executive director, Tomás Riley. With support from the James Irvine Foundation’s Exploring Engagement Fund CounterPulse recently celebrated the stage premier of Como la Tierra/Like the Earth in Salinas, CA. Presented in collaboration with the Alisal Center for the Fine Arts (ACFA), local artist collective Artists Ink and renowned performance artist Violeta Luna, the piece represented 8-weeks of intensive co-creation inspired by the provocative challenge inherent in bridging the perceived geographic and cultural distance between
Photo of Ben Juodvalkis and Rebecca Siegel at a music rehearsal in Rebecca's garden. Video of creating choreography in the studio: choreo.video
Julie Phelps: Is there a politic to the ways that the work you are developing in CounterPulse’s ARC Program with the Affinity Project is experimenting with duration, repetition and mutability? Emily Hoffman: It might be more of an attitude than a politic, but I do feel an impulse to disrupt certain structural tropes in performance. I'm wary of the structures of narrative theater even as they – the climax, the end – compel me. Even in more experimental work certain structures
Focusing on wellness and self help during the process of creating "This Year Is Different..." has been both illuminating and challenging. This morning I read "The River" by Thich Nhat Hanh. I'm sharing it here because it describes a process of self understanding similar to my personal transformation instigated by creating this piece for the Artist-In-Residence Program. __________________________________________________________________________________________________________ Once upon a time there was a beautiful river finding her way among the hills, forests, and meadows. She began by being a
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Nov. 22nd, 2024 @ 8:00PMEvent Detail Button
CounterPulse
80 Turk St, San Francisco, CA 94102
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