education

30 Jun, 2017

REFLECTIONS on Community Engagement with Anne Bluethenthal

2017-06-30T07:04:14-07:00By |Categories: Anne Bluethenthal and Dancers, Krista Denio|Tags: , , , , |

REFLECTIONS on Community Engagement Krista DeNio in conversation with Anne Bluethenthal Why do we enter the process of Community Engaged Art making? More importantly, how do we enter the process and what do we do? In preparation for ART MATTERS: An Introduction to Community Engaged Art, Anne and I reflected on various processes we have or are engaged in as art makers, what brought us to this work and what keeps us here. I asked Anne to talk with me

10 Nov, 2009

Podcasting Diaspora!

2009-11-10T20:24:29-08:00By |Categories: CounterPULSE, Performing Diaspora, Podcast|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , |

Last Saturday, artists and community members used the CounterPULSE stage not for dancing, but for discussion: participants in the Performing Diaspora Symposium took the day to explore the rich, challenging themes that the Festival explores. In three separate sessions, panelists and audience members articulate some of the ideas that each Performing Diaspora artists stirs up onstage. Give a listen here! Appropriation: Dilemma in Dance Panelists: Deborah Vaughan, Anne Bluethenthal, & Denise Pate Facilitated by Laura Elaine Ellis The subject of

6 Nov, 2009

CounterPULSE premieres Performing Diaspora!

2009-11-06T20:40:17-08:00By |Categories: CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , |

Let the Festival begin! Last night, CounterPULSE opened its doors to Performing Diaspora artists and audience members -- check out some of the audience's reactions here!

23 Oct, 2009

Dance Discourse 7: How do we keep our dances from becoming museum pieces? Defining Tradition, Innovation, and Preservation in the Artistic Process

2009-10-23T17:47:02-07:00By |Categories: CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , |

On October 15, 2009 a group of Bay Area artists, arts administrators and audience members met at CounterPULSE for the Dance Discourse Project 7: Dancing Diaspora. Co-presented by World Arts West/ San Francisco Ethnic Dance Festival and Dancers' Group the event was a part of the Fall 2009 season of Performing Diaspora. Learn more about Performing Diaspora at www.counterpulse.org/performing-diaspora/ At the exciting event participants were broken up into small groups where they discussed a variety of pertinent issues concerning traditional

22 Oct, 2009

Performing Diaspora on the Airwaves!

2009-10-22T17:30:44-07:00By |Categories: Adia Tamar Whitaker, Charlotte Moraga, CounterPULSE, Danica Sena Gakovich, Homepage Links, Performing Diaspora, Podcast|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

With Performing Diaspora fast-approaching, some of the artists took a break from the stage and headed over to KPFA's radio studios in Berkeley for a musical sneak-preview of their work on Stephen Kent's show, "Music of the World." In between tracks, our Executive Director Jessica Robinson Love joined them in the conversation about their performances November 5-8. If you missed the program live, give it a listen here!

29 Aug, 2009

Cry into the song

2009-08-29T19:36:19-07:00By |Categories: Adia Tamar Whitaker, CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

The Ewe say " ... you must cry into the song." A man in the taxi said "... you are beautiful when you cry." ... But these things are not easy. To cry into the song when you are still so sad ... To let your beauty shine thru when you feel as though there is nothing to hold you up. Today "Ampey!" took it's first breath. It's a girl and a boy. A mommy and a daddy ... very

19 Aug, 2009

The Memo

2009-08-19T10:19:12-07:00By |Categories: Adia Tamar Whitaker, CounterPULSE, Performing Diaspora|Tags: , , , , , , , , , , , , , , , , , , , , , , , , , , , , |

I didn't get the memo. You know the one that breaks down the ways in which descendants of enslaved Africans have a different (but just as post traumatic stress disordered psychosis) than the descendants of colonized Africans. To be fair, I looked completely different when I've traveled abroad before (I had long hair), AND there is no pronoun for "he"or "she" in Ghanaian language. Word. My bad. Yet and still, I was expecting some kind of Haiti-ish/Southern American Negro/Caribbean stratification

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