About This Artist

Ishan ایشان is a performance collective founded by Armineh Astanbous and Rachael Sharkland. Their work seeks to undo the rule of certainty and category in the name of curiosity, difference, experience, and adaptation. Together they explore the construction of self at the intersection of perspectives, practices, rituals, and orders of (un)thinking. Ishan is a conversation, a relationship, and a technique of perception.

 

Armineh Astanbous was born in Tehran, a city where dance is forbidden. Despite the regime’s prohibition, she continued to pursue her passion and joined the Iran Invisible Center of Dance and co-founded the dance collective MaHa, which held the first private dance festival in Tehran.  She is committed to elevating the voices of women and immigrants, especially those whose daily experience is one of precarity and isolation.  Her work is radically vulnerable, expressive of humanity, and focused on social justice. 

 

With a background in dance, landscape and urban design, Rachael Sharkland delights in the entanglement of somatic, ecological, and social being. Her recent work examines embodied response to vulnerability and power. She has shown work at SAFEhouse Arts, Joe Goode Annex, Fort Mason, The Exploratorium, ZSpace, Little Boxes Theater, and Pro Arts Gallery. 

 

Dasha Bulatova is a poet and speech and language therapist born in Moscow, Russia, and living in Oakland. She is an MFA student at San Francisco State University and holds a BA in Linguistics from UC Berkeley. Dasha will collaborate as poet and linguist to help craft and examine the narrative and semantic underpinning of the project. 

 

For the past 15 years, Pauline Canteneur has collaborated and trained with contemporary dance artists in France and the US including Stéphanie Chatton, Fabio Crestale, and Christine Cali. Pauline will be a performer and has worked with Rachael and Armineh on two previous projects.

 

Rae Diamond is a musician and artist who weaves sound, breath, light, and language into durational and ephemeral worlds that stimulate altered states of perception and attunement with nature. Rae founded, directs, and composes for the Long Tone Choir, and has worked with Rachael on two previous projects. She will participate throughout our creative process to create iterative soundscapes and a final score for the piece.  

 

jane selna is grateful to have grown up on the land of the Chumash people (in so-called San Luis Obispo, CA).  She now lives here on Ramaytush Ohlone land where she moves and is moved daily by the hearts of dear people, by places, by vivid dreams, and through endless transformation. jane is currently making art with Natalya Shoaf, Hope Mohr Dance, and with this collection of humans. She has recently begun to dive more deeply into learning American Sign Language, singing! (for the sheer joy of it and to heal her lungs), and playing with the connections between sleeping, rest, standing her ground, presence, and action.

Clarissa Dyas is a movement artist, creator, and performer with roots from Berkeley, CA. She centers her artistic practice around the intersection of identities including investigating black + asian lineage, queerness and the belief that movement is a spiritual practice to liberated justice. Clarissa graduated from San Francisco State University in 2017 with a B.A. in Dance and a B.S. in Health Education. She has been honored to be a company member of Robert Moses’ Kin and ka·nei·see | collective, a founding member of bananarama, and has performed in works by Talli Jackon, Raissa Simpson and many others. Clarissa is most recently in collaboration with Flyaway Productions, Zaccho Dance Theater, Lenora Lee Dance and Raisa Punkki.

 

Maryam Bagheri is an Iranian contemporary dancer, choreographer, and researcher, based in Auckland, New Zealand where she is completing her PhD in Dance Studies. She has been invited to international festivals and symposiums including Dancing on the Edge (2017, Netherlands), Bipod (2018, Lebanon), IDOCDE (Vienna, 2019) and The Lived Female Body in Performance (University of Leeds, 2019).

 

About This Project

These Teeth explores the conditioned figure of the female voice as it influences subjectivity and embodied experience. The work considers voice both as a proxy for identity, self-presentation, and agency, and a phenomenon with material qualities, such as grain, affect, prosody, pitch, and resonance. We are an ensemble of international women artists (Iranian, Russian, French, and North American) collaborating across disciplines including movement, music, voice, linguistics, and poetry. We draw on personal experience and consider the female voice and body more broadly as it has been disciplined into thinking, speaking, and moving along ligatures that re-inscribe its voicelessness. In refusing these terms that subjugate and censor, our process exalts the range and capacity of the feminine body and voice.

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These Teeth from Rachael Sharkland on Vimeo.

Upcoming Events

Secure Our Stage

Help CounterPulse Buy Our Building
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Back (all I wanna do is dance and fuck and swim with you)

Keith Hennessy and Circo Zero
Wednesday September 14, Thursday September 15, and Monday September 19th at 8PM PT & Sunday September 18 and Saturday September 24 at 4PM PT

Here Lies the Truth

Li Chiao-Ping Dance
Thursday - Saturday, September 29-October 1 at 8PM PT

FRE!HEIT

David Brandstätter & Michelle Jacques
Friday & Saturday, October 7 & 8 at 8PM PT and Sunday, October 9 at 2PM PT

Archived Events

SF Arts Board Match

featuring CounterPulse, Gray Area, Bay Area Video Coalition, and more!
Tuesday, September 13 at 6PM PT

death pod/kid subjunctive

Nol Simonse and Jim Cave; Christy Funsch
Thursday - Saturday, September 8-10 at 7:30PM PT

New Experiments

The San Francisco Aerial Arts Festival
Sunday, August 21 at 7PM PT

The jaws of all are red with gore

Silk Worm with Frank Leasing and Hiroko Tamano
Thursday - Saturday, August 11-13 at 8PM PT

Blog Roll

  • Be A Part of the Tenderloin Art Festival – February 2022

    Download More Information Contact us at tlartsfest@gmail.com to get involved! The Tenderloin has and continues to have a history as a unique hub in San Francisco for artistic expression to grow. Organizations such as Cutting Ball Theater, the Tenderloin Museum, Counterpulse, Piano Fight, the Trans Cultural District and many storefront galleries have found home and […]

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  • Meet the Facilitators for Li Chiao-Ping Dance’s HERE LIES THE TRUTH Talkbacks at CounterPulse

    GET TICKETS NOW! Li Chiao Ping Dance is excited for the upcoming San Francisco premiere of Here Lies the Truth at CounterPulse Thursday, September 29th – Saturday, October 2nd. Much of LCPD’s work and research in recent years has centered on identity, race, otherness, and colonization. By bringing Here Lies the Truth to new audiences we hope […]

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  • Rescheduled FRE!HEIT brings together German Choreographer David Brandstätter and American Singer, Michelle Jacques for long-awaited US Premiere.

    GET TICKETS San Francisco – Following a United States Customs and Immigration Service (USCIS) imposed delay of four months, San Francisco International Arts Festival (SFIAF) is finally pleased to present the US debut of German choreographer, David Brandstätter in collaboration with American mezzo-soprano, Michelle Jacques for the US Premiere of FRE!HEIT (freedom in English). The project, originally scheduled […]

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  • Here Lies the Truth comes to San Francisco

    Download the Full Press Release Here For media inquiries, contact Shannon Atlas Get Tickets Now! Li Chiao-Ping Dance is thrilled to bring Here Lies the Truth to CounterPulse! Today, Here Lies the Truth is a live, multimedia, dance theater performance. A true collaboration between artists, disciplines, and our stories. This iteration of the work has […]

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  • An Invitation to Lunch

    If you are an (East/Southeast/South) Asian diasporic person who lives on Ramaytush or Chochenyo Ohlone land and who are interested in these questions, I invite you to go on a lunch date with me and discuss the possibility of collaborating on a performance project in the context of the Performing Diaspora residency at CounterPulse in December 2022—the lunch is on me! You may come from all kinds of creative backgrounds—people who move, make, create, design, devise, perform, and/or organize. You may work with different creative mediums —movement, sound, text, visuals, and/or materials. In terms of methods, you will be open to improvisation, creative exploration, and other process-oriented ways of making/doing. The base compensation will be $900.

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