About This Artist

bByb Bibene is a dance educator, choreographer and performer working in theater, ethnic, Afro urban, and contemporary dance forms. His own technical and aesthetic sensibility is rooted in the culture and dances of his country of origin, the Republic of Congo. He has toured the world and performed internationally with companies and choreographers originating from Africa, Europe, and the USA.
 

Collaborators

Dance Artists

 
As a dancer and choreographer, Rashidi Omari is known for his magnetic mashups of traditional dance styles. Performing professionally since 1998, he has danced with DREAM, Avatar Flux, Adia Whittaker Dance Company, Liberation Dance Theater, Joanna Haigood, and Kiandanda Dance Theater among others.
 
Uzoamaka Nwankpa is a community health registered nurse with a strong passion and belief in the power of music and dance. Uzo is an educator, dance facilitator, entrepreneur, researcher and an advocate for healing through indigenous (cultures) music and dance practices.
 
Alkebulan Penda Ra has been blessed with learning songs, dances and drum rhythms of West Africa as well as the learning of how to function in a child to the young adult educational environment. Initially, a businessman, his passion for culture and education is now defined. He is a dance instructor, choreographer, co-founder of Malaika Kidogo’s West African Drum and Dance Ensemble (Children Group). He had been an independent performer, consultant to African performing groups and artists while living in Los Angeles, San Diego, Oakland, and Dallas. Founder of Motherland Drummer, Alkebulan is an active member of Diamano Coura West African Dance Ensemble based in Oakland since 1090.
 

Music

 
Kemisola (Nkan) started her career in the Nigerian entertainment industry. Her dexterity in singing, acting and dancing is with a great style and uniqueness. She has performed and has been featured as a solo Artiste in different bands all around the Bay Area. Her style of music is stylistically and culturally Afrocentric and cosmopolitan. Nkan recorded an album called “The music of our Ancestor” produced by a London based producer; Kayode Samuel. People who have seen her perform, call her “The Soul of Bay” Nkan is a brand that will definitely sparkle up any event!
 

Scenography

 
Michael French is originally from London. As a boy, he saw the “Cathy Come Home” by Jeremy Sandford on the seminal British television series Play for Today and was transformed. Thirteen years later he formed the Glasshouse Theater Company where he wrote and directed the award-winning play “The Rainy Season” and the much-acclaimed “Bellyache”. He stayed in England writing and directing until his father died and left him a pot of gold with which to see the world.
 

About this work

[Re]member is a look back to the histories of the African resistance against slavery. The project investigates the history of the rebellions and victories of captured Africans in the slave ships during the Trans-Atlantic slave trade and on the Americas and the Caribbean plantations. With a particular focus on the history of one of the maroon’s leaders Nganga Nzumbi, the project strives to celebrate the names of numerous African men and women who led revolts to break out from bondage and form free Black communities. These free communities would allow the preservation of their cultures and identities. 
 
This project attempts to create a bridge connecting Black bodies worldwide to remember their shared history and origins in African. The Black body has not sung enough the stories of their ancestral greatness. [Re]member portrays the restoration of the African pride and the solid connection the Black bodies under the condition to awakening the Black consciousness that defines resilience and freedom.     
 
The dance and music vocabularies are traditional and creative. The body movement draws its energies from the multitude of dances of central Africa’s great Kongo peoples. A visual installation, live and recorded music guide the audience through a voyage in the past, present, and future times of the Black histories, defying all forms of subjugation.
 
(Pictured in both photos: Byb Byene. Headshot photo by Robbie Sweeny; horizontal photo by Marissa Steffen)

 

Upcoming Events

Spring 2021 at CounterPulse

The Revolution Will Be Choreographed

Tenderfest 2021

The Tenderloin Museum, Larkin St Youth Services, Skywatchers, & CounterPulse
Thu, Mar 11, 6pm-7:30pm PST on Zoom

Skills Bucket

with CounterPulse staff!
Third Wednesdays, March-August, 10:30am-11am PST

Human/ID and are:era

StratoFyzika and Pseuda
Wed-Sun, Apr 14-18. Video Installations at CounterPulse Wed-Sun, 12-8pm PST. Livestream and Q&A on Fri, Apr 16, 5pm PST

Archived Events

Beyond Gravity 2021: Postponed

Jess Curtis/Gravity
Dates & Times TBD

Grand re Union LIVE

Art Stations Foundation, CounterPulse, Movement Research
Fri & Sat, Dec 18 & 19 on Twitch and Zoom

It’s Like Groundhog Day Every Day

Kim Ip/KRIMM'S DANCE PARTY
Friday, December 11, 7pm PST on Twitch

Return the Eye

DROUGHT SPA
Thu, Dec 10, 7PM PST on Twitch

Blog Roll

  • Glitch Crush

    “Primeiro estranha-se, depois entranha-se” (At first it’s strange, then it gets into your veins) – Fernando Pessoa I am part of the Human/ID team, a collaboration with StratoFyzika and Ian Heisters that probes how identity is rendered legible (or illegible) through movement and technology.  Tagging onto the notion of digital flaws and their rich potential […]

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  • IDENTITY AND MOVEMENT: MOTION TRANSFER WITH NEURAL NETWORKS

    Deep fake dancing and breaking technology I’ve been talking with the StratoFyzika team about how identity resides in the body for their residency in CounterPulse’s Combustible program. We’re researching surveillance technology, machine learning, and dance for a performance in spring 2020. The research is conceptual as well as practical, and the following comprises my notes in building a first […]

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  • A Platform, A Stage, An Audience

    We are artists. In some ways, we are sacrificial lambs. We bleed publicly. We can be found dancing naked and crying the necessary tear. We do this so they can name what they have sacrificed. To those without words, we give poetry; those without melody, a song. And to him, that guy, that just can’t […]

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  • Behind the Lens with Robbie Sweeny

    I’ve always been a fan of Robbie Sweeny. For years I’ve admired his photographer choreography, his hurried movement and cadence during performances. It takes considerable method and skill to shoot the perfect angle, and to capture the compelling photos that highlight CountrePulse’s Instagram feed. My colleagues and I admire his stylistic editing; together we scroll […]

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