Seth and Remy - Photo by Adam Paulson By Seth Eisen In 2006 after Remy Charlip had a stroke I was given the task of packing and moving all of his artwork and personal items to storage and to help facilitate the creation of a list of every item in the collection- a massive task. I worked for several months to support the great effort of archivist John Held Jr. who catalogued Remy’s entire collection. Every single item
Here is a moving article about Homo File by BDSM educator, coach, scholar and advocate Cleo Dubois. What an honor to have had her come see the show two times and to have participated on our panel discussion on June 6th. http://www.leatherati.com/2014/07/pride-and-polaroids/
by Gary Ivanek What a wonderful run !!! It's been a week since we closed Homo File and the excitement continues. We sold out 8 of 9 shows in our run and we are starting to make plans to take the show to other cities. Here are some images from the show that we thought you might like. And
BROTHERS By Martin Schwartz These are impressions by playwright/theater director Martin Schwartz about the Work in Progress showing we presented a month before the show opened. A hot Sunday a few weeks ago, March 30. I walk the block and a half from where I live to CounterPULSE for a work-in-progress showing of Homo File. I am psychically prepared to listen to human speech and to watch human bodies on a black stage. I write and direct for the stage,
When I saw my college art instructor Seth Eisen at the Homo File Salon, his greeting was warm and sincere in his thanks for my support. Nevertheless his genuine warmth couldn't hide some genuine curiosity as to my presence. He asked me to come up with a few words as to what Sam Steward's significance was to me as a straight- identified male, and how I saw Sam as bridging our cultures. This is the most concise answer I can
Sam Steward's fascinating life as a shapeshifter linked many disparate worlds: literature, sexual research, academia and tattoo art. For this iteration of Homo File I've taken a dive into researching Steward's life as a tattoo artist. In this world he went by the name Phil Sparrow. I recently read his fascinating and really well written book Bad Boys and Tough Tattoos: A Social History of the Tatoo with Gangs, Sailors and Street-Corner Punks 1950-1965. It's pretty pricey since it is a
Famed painter Sir Francis Rose and his model. With drawing in background by Diego GomezPhoto: Gary Ivanek Here is a photo from our March 30th work-in-progress showing of the new and updated Homo File which will premiere May 30th at CounterPULSE for the National Queer Arts Festival. The show chronicles the fascinating life of queer shapeshifter and iconoclast Sam Steward. In the late 1930s Steward met the painter Sir Francis Rose (played by actor Ryan Hayes) through his
By Edward Guthmann -Freelance writer and former SF Chronicle film critic Thanks for your wonderful "Homo File." It's very inventive and smart, and I felt it captured a lot about Sam very accurately. Also liked the casting of your lead actor as Sam. Would love to see how it develops. I knew Sam for a few years, probably starting in '78. I was in my twenties, writing for a local gay rag, the Sentinel, and also occasionally for the Advocate.
Well the run has been amazing thus far with sell out houses and very enthusiastic audiences for both Homo File and FML. We got wonderful press coverage and appeared in several blogs. Here are a few. A fabulous article by Kimberly Chun in the SF Chronicle 96 hours Really interesting article by Richard Dodds in the Bay Area Reporter Stance on Dance is a really interesting interview blog by Dancer/Writer Emmaly Wiederholt A lovely review by Rob Avila about Homo
In 1948 The Polaroid Land camera revolutionized photography by allowing people to instantly and privately develop their own photographs. For Steward this was particularly important because any kind of evidence of deviant sexuality could be incriminating and may have cost him his job and led to prison time. He took these photographs in the hundreds and shared them with Dr. Kinsey and The Institute For Sexual Research where they were valued as a brave act of historic and scientific research.
We are in the final stages in the Homo File production and very excited by our progress this week. Working with many types of media is very exciting especially where it is related to how Sam Steward documented and articulated his desire in a social arena that would have preferred to render him invisible. Ned Brauer as Sam StewardPhoto: Gary Ivanek One of Steward's documenting practices of queer sexuality in the 50s was with his Polaroid camera. The
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