(Photo by Devlin Shand) As we gear up for our performances this weekend, I am able to reflect on how amazing the JuMP Program truly is. Having participated as a dancer for the first two seasons, and as both dancer and co-choreographer in the third, I feel I can now speak to how important JuMP is for our Bay Area dance community. There are a surprising amount of opportunities in the region for new choreographers to create and present work
(Photo by Devlin Shand) Staring straight into the face of our show week for JuMP 2016, I’m happy to take a moment to organize my thoughts, ground myself, and reflect on the unique experience of being the 2016 JuMP Choreographer. FACT/SF’s JuMP Program has opened up so many doors for me. It has allowed me to better hone my artistic voice and my choreographic skills, and welcomed me into a new community of dancers and creators who similarly held
(Photo by Gregory Lorenzutti) As you all well know by now, community lies at the heart of all we do at FACT/SF. Together, our artists and advocates, fans and friends, make our work and make our work possible. And, though the Bay Area is home, our impact reaches far beyond our region - across the state, the country, North America, and many diverse regions around the world. The FACT/SF perspective is simultaneously local and global, and our 2016 programming highlights
In just ONE WEEK, our fantastic show opens! Sometimes people wonder how choreographers make dances. There are many different ways - this is one of them. FACT/SF, like a hearty breakfast, is both nutritious and delicious.
Hello my friends! In 2 short weeks FACT/SF opens it's fourth season with Pretonically Oriented v.3. We are THRILLED to bring this new (and super awesome) work your way. I know you'll be there to see it...because you're rad and cool like that. I made a short little video to hold you over until opening night. In the meantime, buy a ticket. See you soon my lovelies, ~Charles http://youtu.be/gjUcwQ_NtL8
http://youtu.be/fVYkdrORd8U
You might know by now that FACT/SF is interested in many things...systems and people and movements and implications and meta-theatrical concerns and deep emotive expressions. As we do our best to innovate and push push push forward - both relative to our own work and also the larger field of dance working/making, we always find it helpful to reflect on the greats that innovated long ago, and who continue to inspire us today. Here's one of Beethoven's masterpieces. It's incredible,
In an effort to share everything I possibly can about what we're doing, I made a short explanatory video - it's rad and you should check it out! ~Charles Slender Artistic Director, FACT/SF http://youtu.be/pH63NTPSgk4
On a rainy Tuesday morning, FACT/SF's Artistic Director Charles Slender tries to figure out what, really, this project is. We're getting closer.
Often artists, including myself, find themselves pitching a project before they've really gotten dirty with it, before they really know what the project really IS. Nearly a month into rehearsals now, we're learning so many new things. The Work in Progress Showing last week featured some healthy discourse that elicited new ideas and fantastic feedback. Here's a small clip from our showing and what I think about what we're doing. As we continue to work, we'll no doubt unearth even more
Hey y'all, FACT/SF is back this week with another Tasty Tuesdays posting. We share who we're inspired by...artists and thinkers who we think have made, or are making, significant contributions. This week it's the choreographer, dancer, and, by some accounts, true founder of modern dance - which of course laid the foundation for contemporary dance - Vaslav Nijinsky. Sometimes our short-term memories prevent us from seeing the very, very long history of performance innovation - so as we continue to
I think with Satie's work, especially with this piece, a simple and methodical space is opened that allows the listener to submerge themselves in thought, reflection, and image-building. The work has an emotional quality...but I think it's generated by the listener, and doesn't necessary lie within the score itself. There's something about this that reminds me of one of FACT/SF's goals with Pretonically Oriented...to try to methodically create, organize, and re-configure so that the viewer can watch what unfolds, while
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Dec. 5th, 2024 @ 8:00PMEvent Detail Button
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