About This Artist

Simone Aughterlony is an independent artist based and supported in Zurich and Berlin, working predominantly in dance and performance contexts.

Over more than decade, Simone she has been devising and producing choreographic works. As a performer she has worked with artists such as Meg Stuart/Damaged Goods, Forced Entertainment and Jorge León, Phil Hayes amongst others. In 2015 «Supernatural», a collaboration with artists Antonija Livingstone and Hahn Rowe premiered in American Realness while in the same year the performance project «Uni * Form», devised by Jorge León and Simone premiered at Zuercher Theater Spektakel. Alongside en extensive tour of these works and the «Biofiction Trilogy» of which «Biofiction» is the third part. She is currently performing with Jen Rosenblit with their peformance project «Everything Fits In The Room», a commission from HAU Hebbel am Ufer and Haus der Kulturen der Welt.

Engaging with alternative forms of kinship, inside her process new constellations of family emerge as possibilities for reconfiguring a culture of togetherness that foster both familiar and unknown quantities. Her works playfully compose with representation and its saturation, seeping into and embracing the phenomenology of mis-recognition and the absurd. Simone approaches the performance genre as a world building practice where she navigates the contradiction between the domination of desire alongside the agency of all elements.

 

About This Project

Observing the Supernatural grants access to a shared kaleidoscopic body.

Human and non-human actants camp together on a hot pink terrain under an unblinking fluorescent sky. With axes, wood, violin, electronics and the bare body, Simone Aughterlony, Antonija Livingstone and Hahn Rowe stage an inquiry into some vibrant matters.

Supernatural suggests a wilderness that signifies a plurality of agencies without ontological hierarchy – the vigour of the blade, the skin, the wood, the rope, the gaze, and all in our midst, buzz together lovingly in a hot debate on the political ecology of things.

Queer lives know that being in disguise can encourage the dissolution of normative identity patterns of recognition. Supernatural actively chops up the topography of gender perceptions and welcomes the joyful techno construction of multiple bodies and pleasures.

Is this movement research or fun post-porn practice?

Whatever it is, it brings the bodies and companion materials in conversation to know no difference between being excited, being exciting and being excited-with.

Upcoming Events

Ignite Another 30 Years of Art & Action

Give CounterPulse a Gift Today!
Help us raise $30,000 to celebrate our thirties

Flashback Futures

The CounterPulse Solstice Party
Sat, Dec 19, 5pm-7:30pm PST on Zoom

Skills Bucket

with CounterPulse staff!
Third Wednesdays, September-February, 3:00pm-3:30pm PDT

Music Box Orchestra

Rick Darnell
First and Third Fridays in November & December, 6pm-7pm PDT

Archived Events

Tenderloin Day of the Dead Altar

Jeff Marshall
Altar Dedication on Sat, Oct 31, 3-4pm at The Tenderloin Museum

2020 Deaf Louder Virtual Performance

Antoine Hunter / Urban Jazz Dance Company & Guests
Fri & Sat, Nov 6 & 7, 6pm-7pm PST on Twitch

Matchbox Lab #4: Hybrid Tenders

Ronja Ver <> Kal Spelletich
Tues, Oct 27, 7pm-8pm (Live 6:45pm)

Blog Roll

  • Glitch Crush

    “Primeiro estranha-se, depois entranha-se” (At first it’s strange, then it gets into your veins) – Fernando Pessoa I am part of the Human/ID team, a collaboration with StratoFyzika and Ian Heisters that probes how identity is rendered legible (or illegible) through movement and technology.  Tagging onto the notion of digital flaws and their rich potential […]

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  • IDENTITY AND MOVEMENT: MOTION TRANSFER WITH NEURAL NETWORKS

    Deep fake dancing and breaking technology I’ve been talking with the StratoFyzika team about how identity resides in the body for their residency in CounterPulse’s Combustible program. We’re researching surveillance technology, machine learning, and dance for a performance in spring 2020. The research is conceptual as well as practical, and the following comprises my notes in building a first […]

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  • A Platform, A Stage, An Audience

    We are artists. In some ways, we are sacrificial lambs. We bleed publicly. We can be found dancing naked and crying the necessary tear. We do this so they can name what they have sacrificed. To those without words, we give poetry; those without melody, a song. And to him, that guy, that just can’t […]

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  • Behind the Lens with Robbie Sweeny

    I’ve always been a fan of Robbie Sweeny. For years I’ve admired his photographer choreography, his hurried movement and cadence during performances. It takes considerable method and skill to shoot the perfect angle, and to capture the compelling photos that highlight CountrePulse’s Instagram feed. My colleagues and I admire his stylistic editing; together we scroll […]

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