The first day I stepped into Mugwumpin’s brainstorming session for The Looking Glass Self I had no idea what to expect. As Mugwumpin’s summer intern, I’ve been in the Project Space with Mugwumpin during their Combustible Residency rehearsals for 4 months now. I’ve worked as an Assistant Stage Manager, I’ve stood in as a practice […]
About This Artist
Drawing from his background in a wide field of genres including rock, classical, film, theater, improvised, and electronic music – composer, producer, multi-instrumentalist Hahn Rowe has developed a uniquely personal sonic language which fuses disparate musical elements into atmospheric, sensual, and polymorphic soundscapes.
Equally at home performing on violin, guitar, turntables, and digital/electronic studio instruments, Hahn Rowe has retained his unique sensibilities while crossing musical borders. He has worked with Hugo Largo, David Byrne, Antony and the Johnsons, Hassan Hakmoun, Glenn Branca, Moby, Swans, Foetus, and R.E.M., among many others.
He is a 3 time Bessie Award recipient and his long-standing collaboration with Brussels/Berlin based choreographer Meg Stuart (DAMAGED GOODS) has resulted in the creation of 8 evening length dance/theater works. He has also created scores for choreographers Benoit Lachambre, Louise Lecavalier, and John Jasperse among others.
Hahn Rowe is active as a composer for film and television, creating scores for films such as CLEAN SHAVEN by Lodge Kerrigan, SPRING FORWARD by Tom Gilroy, and MARRIED IN AMERICA by Michael Apted.
About This Project
Observing the Supernatural grants access to a shared kaleidoscopic body.
Human and non-human actants camp together on a hot pink terrain under an unblinking fluorescent sky. With axes, wood, violin, electronics and the bare body, Simone Aughterlony, Antonija Livingstone and Hahn Rowe stage an inquiry into some vibrant matters.
Supernatural suggests a wilderness that signifies a plurality of agencies without ontological hierarchy – the vigour of the blade, the skin, the wood, the rope, the gaze, and all in our midst, buzz together lovingly in a hot debate on the political ecology of things.
Queer lives know that being in disguise can encourage the dissolution of normative identity patterns of recognition. Supernatural actively chops up the topography of gender perceptions and welcomes the joyful techno construction of multiple bodies and pleasures.
Is this movement research or fun post-porn practice?
Whatever it is, it brings the bodies and companion materials in conversation to know no difference between being excited, being exciting and being excited-with.
Mark your calendars, CounterPulse is moving full throttle in a relentlessly risk-taking performance line-up this Fall. See our Fall 2019 performance schedule and get tickets below! Combustible Residency 2019 Mugwumpin: The Looking Glass Self Mabel Valdiviezo with Travis Bennett: Metamorphosis: Phase 1 Sept 12-14 & 19-21, Thu-Sat, 7:30pm & 8:15pm Pay-what-you-can Thursdays CounterPulse is […]
Mugwumpin Company Member Ray Oppenheimer on the development of The Looking Glass Self One of the things that I am interested in is the democratization of technology, lowering the barrier for the creation of high quality digital falsehood. As a tool to explore this loss of autonomy and ease of creation we decided to experiment […]
#NotABugSplat A little girl’s face stares towards the clouds in a meadow, a place where drones fly as often as the birds. Her face covers a massive portrait printed by a group of artist-activists as part of an installation titled #NotABugSplat. Since 2004, drone strikes in Pakistan have killed over 3,000 people, including a large […]
June 11, 2019
The Tenderloin Art Lending Library (TALL) is a queer-artist-run project that lends artwork to Tenderloin community members free-of-charge. TALL is a trust-based program where artists—the majority of whom are homeless, formerly homeless, and live or work in the Tenderloin—donate artwork that is available for loan to any member of the Tenderloin community free-of-charge. TALL is […]