About This Artist

Drawing from his background in a wide field of genres including rock, classical, film, theater, improvised, and electronic music – composer, producer, multi-instrumentalist Hahn Rowe has developed a uniquely personal sonic language which fuses disparate musical elements into atmospheric, sensual, and polymorphic soundscapes.

Equally at home performing on violin, guitar, turntables, and digital/electronic studio instruments, Hahn Rowe has retained his unique sensibilities while crossing musical borders. He has worked with Hugo Largo, David Byrne, Antony and the Johnsons, Hassan Hakmoun, Glenn Branca, Moby, Swans, Foetus, and R.E.M., among many others.

He is a 3 time Bessie Award recipient and his long-standing collaboration with Brussels/Berlin based choreographer Meg Stuart (DAMAGED GOODS) has resulted in the creation of 8 evening length dance/theater works. He has also created scores for choreographers Benoit Lachambre, Louise Lecavalier, and John Jasperse among others.

Hahn Rowe is active as a composer for film and television, creating scores for films such as CLEAN SHAVEN by Lodge Kerrigan, SPRING FORWARD by Tom Gilroy, and MARRIED IN AMERICA by Michael Apted.

 

About This Project

Observing the Supernatural grants access to a shared kaleidoscopic body.

Human and non-human actants camp together on a hot pink terrain under an unblinking fluorescent sky. With axes, wood, violin, electronics and the bare body, Simone Aughterlony, Antonija Livingstone and Hahn Rowe stage an inquiry into some vibrant matters.

Supernatural suggests a wilderness that signifies a plurality of agencies without ontological hierarchy – the vigour of the blade, the skin, the wood, the rope, the gaze, and all in our midst, buzz together lovingly in a hot debate on the political ecology of things.

Queer lives know that being in disguise can encourage the dissolution of normative identity patterns of recognition. Supernatural actively chops up the topography of gender perceptions and welcomes the joyful techno construction of multiple bodies and pleasures.

Is this movement research or fun post-porn practice?

Whatever it is, it brings the bodies and companion materials in conversation to know no difference between being excited, being exciting and being excited-with.

Upcoming Events

Support the Springboard Fund for Artists

She-Verse and mouth//full

Cherie Hill IrieDance and Gabriel Christian & Chibueze Crouch
Thu-Sat, Dec 5-7 & 12-14, 7:45pm-9pm

S l o w D a n c e

Hana Erdman
Thu-Fri, Dec 19-20, 8pm

TVOD Winter Solstice Underground

Sat-Sun, Dec 21-22, 10pm-4am

Archived Events

Tenderloin Women’s Holiday Party

Central City SRO Collaborative, Care Through Touch, La Cocina
Mon, Dec 9, 12pm-2pm

Came Here To Live: Resilience and Resistance in the Containment Zone

ABD Productions & The Skywatchers Ensemble
Fri-Sun, Nov 22-24. Fri-Sat, 7:30pm, Sun 2pm matinee

tiny little get down

tinypistol + little seismic dance company
Fri, Nov 15, 7:30pm-9:30pm

DIY T-Shirt Fashion Design

Sylvester Guard Jr.
Fri, Nov 15, 3-5pm // Sun, Mar 15, 3-5pm

Blog Roll

  • Figuring it Out: Inside She-Verse’s Narrative

    In 2006, I hosted my first audition for Cherie Hill IrieDance performers. I desired an all-black female cast. I yearned to deepen my self-knowledge of being a black woman making dance and to analytically understand how aesthetics relate to white and black culture. In 2014, I looked for something different. I sought movers who could […]

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  • She-Verse Movement Essences

      She-verse embraces tenants of eco-feminism that speak to the parallels between oppression and domination of subordinate groups to the oppression and dominance of nature. How women are treated in misogynistic cultures relates to the abuse and rape of land experienced throughout the history of colonization and to the continued subordination of women and persons […]

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  • Fake News and the Art of Unremembering

    Who here has heard of Singapore? Who here knows where it is? Who here knows anything about it?   I concede that answers to these questions might have changed since the popularity of the movie “Crazy Rich Asians”, but by and large, as a Singaporean living in the USA, I usually expect the response to […]

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