The book connects the Muscogee sacred history with the land, the spirit world, the confederacy`s sociopolitical organization, and its ceremonial cycle in a carefully researched and well-written single volume. It is an exploration of Muscogee Creek values and views, including concepts of nature, genesis, gender relations, religion, and history. www.books.aisc.ucla.edu/books/sacredpath.aspx I reconnected with a dear […]
About This Artist
Dana Michel is a choreographer and performer based in Montreal, Canada. Before entering the BFA in Contemporary Dance program at Concordia University in her late twenties, she was a marketing executive, competitive runner and football player. In 2011, She had the honour of being a danceWEB scholar, allowing her to deepen her research process at ImPulsTanz in Vienna, Austria.
Her practice is rooted in exploring the multiplicity of identity using intuitive improvisation. She works with notions of performative alchemy and post-cultural bricolage – using live moments, object appropriation, personal history, future desires and current preoccupations to create an empathetic centrifuge of experience between herself and witnesses. Today, her work can perhaps best be described by its influences: lucid cinematography, living sculpture, physical comedy, psychological excavation, deconstructed social commentary, the bulimic logic of Hip Hop and child-like naïveté.
Her work has been presented in North America (Montreal, Quebec, Toronto, Ottawa, Boston, Salt Lake City and New York City) and in Europe (Austria, Belgium, Serbia & Switzerland). Inhabiting both traditional and non-traditional spaces is a key component in the creation of her work.
About This Project
As a child, Dana Michel would drape a yellow towel on her head in an attempt to emulate the blonde girls at school. As an adult, she now revisits the imaginary world of her alter-ego in a performative ritual free of cover-ups or censorship.
Blending austerity and absurdity, she digs into black culture stereotypes, turning them inside out to see whether or not she can relate. We witness her allowing a strange creature to emerge from this excavation in a slow and disconcerting metamorphosis that we follow with fascination. Strongly influenced by the aesthetics of fashion, music videos, queer culture and comedy, Dana Michel quickly stood out as an emerging dance artist. With Yellow Towel, which was developed in Vienna, Brussels, New York, Toronto and in Montreal, she explores new creation territories and most decidedly asserts herself as an artist to watch. A figure of the Montreal underground scene well worth discovering. (Source : Fabienne Cabado)
On January 25th 2020, Lahore—Pakistan’s self proclaimed ‘cultural capital’—launched its second art biennale in multiple venues throughout this historic city, from 16th century forts and bath houses to contemporary museums and public parks. The theme this year: Between the Sun and the Moon is an ode to Muslim sciences that once thrived here, in particular, […]
Before I came to CounterPulse, I had a dream job that can be roughly defined by this checklist: A supportive space for experimental, anti-institutional art. A critically thinking and politically engaged community. A platform that is both accessible and uplifting of marginalized voices. It feels surreal that I had found a place like CounterPulse […]
People! This is Jesse Hewit. Ya’ll, I’m not gonna beat around the bush: 2019 has been a doozy. It felt like the world was extra on fire. As I reflect on the big and fast and difficult swirl of the past year, I think of just how much I needed CounterPulse. I needed pulsating, breathy, sharp art. I […]
In 2006, I hosted my first audition for Cherie Hill IrieDance performers. I desired an all-black female cast. I yearned to deepen my self-knowledge of being a black woman making dance and to analytically understand how aesthetics relate to white and black culture. In 2014, I looked for something different. I sought movers who could […]