About This Artist

Cherie Hill (choreographer) is a choreographer, dancer, teacher and scholar, whose art explores human expression and how it is conveyed through the body in collaboration with nature, music and visual imagery. Her IrieDance works have been showcased at the Live Oak Theatre, the African American Cultural Center, the Black Choreographer’s Festival, Anschultz Theatre, Bao Bao Festival, P.L.A.C.E Performance, the San Francisco Cathedral, Omni Oakland Commons, SF Moving Arts Festival, Kinetech Arts, Alena Museum, the Milk Bar, SAFEhouse Arts, and the Dance A World of Hope Festival in Holland, MI.

 

Lashon A. Daley (dancer) is a PhD Candidate in Performance Studies at the University of California, Berkeley. As a scholar, dancer, storyteller, and choreographer, Lashon thrives on bridging communities together through movement and storytelling. She holds an MFA in Writing from Sarah Lawrence College, and an MA in Folklore from UC Berkeley. In the past 15 years, Lashon has danced professionally with D’Project, N’Fungola Sibo African Dance and Drum Company, and Ballet Hysell. In recent years, she has trained with Joe Goode Performance Group, Kyle Abraham, Urban Bush Women, and at the Katherine Dunham Annual Technique Intensive in St. Louis.

 

Andreína Maldonado (dancer) is a Venezuelan performing artist, language interpreter, educator and social justice advocate based in San Francisco, California. She is the current recipient of the California Arts Council, the San Francisco Arts Commission and the National Association for Latino Arts & Culture (NALAC)  “artists in communities” grants for her work with day laborers and domestic workers in creating spaces self reflection, collaboration, and artistic expression through music and dance. Andreína collaborates with various Bay Area dance companies and choreographers as well as performing her own work.

 

Rose Rothfeder (dancer) is a student of Life, originally hailing from the Rocky Mountains. She is a lover of the Wild, and a devotee of Water. Dance has been food for her body and spirit since a young age. Rose has had the opportunity to work with young folks over the past 10 years – weaving the realms of nature connection,  mindfulness, yoga, arts, and music. She is currently studying herbalism at the California School of Herbal Studies in Forestville, California. Rose looks forward to integrating herbalism, embodiment, healing arts, regenerative culture, earth-based skills, and more into her unfolding service path.  

 

Imani Karpowich-Smith (video artist) is an interdisciplinary artist native to the East Bay. A graduate of Mills College, she continues to cultivate work inspired by her life experiences; exploring Multiracialism, Blackness, ancestry, and memory. Her recent video and sound installation, “We’ve Always Been Here”, debuted at the Mills College Art Museum’s Senior Thesis Exhibition. “Variable Dimensions”, displays a collection of interviews discussing the American Multiracial experience. This work made to highlight this underrepresented population is part of an ongoing series discussing multiraciality, exposing the trauma, discrimination, performativity, consciousness, and insight into the realities of being Multiracial.

 

Brizion (music artist) is a Dub and Roots music producer based in San Diego, California (USA) operating from DubStrand Studio, established in 2004. Since opening, Brizion has released numerous albums, CDs and digital recordings. His dub tracks have been featured on JAH Militant Records (France), Positive Vibes, Lion Roots, and Guidance HiFi, and his new releases include CD albums Deep Space, Dub Savanna, Defender Dubplates, Dub Prayer and Dub Revelation. Brizion mixes live at dub music events and has performed at the United Nations of Dub USA Launch Party.

 

About this Project

She-Verse is a multi-media piece inspired by drifting water, land, ancestors, bravery, and eco-feminism. A meditation on dance, time, the body, femininity, and oneness with nature, She-verse choreography investigates intersections between traditional and contemporary dance, the earth and the female body, and the treatment of women to the treatment of land. The choreography looks at two traditional African Diaspora dances, one from Guinea, and one from Jamaica, and analyzes their movement qualities referred to as “movement essences”. These essences are used to create improvisational structures and contemporary dance phrases that derive from the traditional to expand into contemporary dance contexts. Dancers’ stories include movement related to #metoo, the colonization of the Caribbean Islands, and the survival tactics we need to exist in a world afflicted by oppression and the adverse effects of climate change.

She-verse embraces tenants of eco-feminism that speak to the parallels between oppression and domination of subordinate groups to the oppression and dominance of nature. How women are treated in misogynistic cultures relates to the abuse and rape of land experienced throughout the history of colonization and to the continued subordination of women and persons of color. Through meditative and dream-like states, dancers draw from the powers of nature and ancestry to communicate via the body the healing needed to restore balance to self and earth. Video filmed in nature reminds us that “She-verse” is always there, watching over, patiently awaiting the time for humanity to make amends to restore what is necessary for the sake of all beings and our planet.

 

 

 

Cover photo by Imani Karpowich-Smith 

 

Upcoming Events

Fall 2019 Member Drive

Join CounterPulse Today!

Open Stage at CounterPulse

Wed, Sept 4, 6pm-7:30pm

tiny little get down

tinypistol + little seismic dance company
Fri, Sept 6, 7:30pm-9pm

Crochet Jam at Block Fest

Ramekon O’Arwisters
Fri, Sept 6, 3pm-5pm

Archived Events

Troop Pop-up Cocktail Garden

Fall Membership Drive Launch
Sat, Aug 17, 4pm-7pm

Flagging at Block Fest

William Taylor Barros, Alejandro Upchurch & Steve Tanksley
Fri, Jun 28, 3:00pm-5:00pm

Tomorrow We Inherit the Earth: The Queer Intifada

Directed by Zulfikar Ali Bhutto and collaboratively written and devised
Thu-Sat, Jun 20-22, 8pm-9pm

ARRUDA

Aguas Da Bahia directed by Tania Santiago and Co-produced by Stephanie Bastos
Thu-Sat, Jun 13-15, 8pm

Blog Roll

  • Fall 2019 at CounterPulse

    Mark your calendars, CounterPulse is moving full throttle in a relentlessly risk-taking performance line-up this Fall. See our Fall 2019 performance schedule and get tickets below! Combustible Residency 2019 Mugwumpin: The Looking Glass Self Mabel Valdiviezo with Travis Bennett: Metamorphosis: Phase 1 Sept 12-14 & 19-21, Thu-Sat, 7:30pm & 8:15pm Pay-what-you-can Thursdays   CounterPulse is […]

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  • The Looking Glass Self

    Mugwumpin Company Member Ray Oppenheimer on the development of The Looking Glass Self One of the things that I am interested in is the democratization of technology, lowering the barrier for the creation of high quality digital falsehood. As a tool to explore this loss of autonomy and ease of creation we decided to experiment […]

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  • The Tenderloin Art Lending Library (TALL) is a queer-artist-run project that lends artwork to Tenderloin community members free-of-charge. TALL is a trust-based program where artists—the majority of whom are homeless, formerly homeless, and live or work in the Tenderloin—donate artwork that is available for loan to any member of the Tenderloin community free-of-charge. TALL is […]

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  • Diary of Shamanic Journeys

     Journey for Wisdom and Empowerment A key part of my artistic process for “Metamorphosis” is to connect with nature and my indigenous Peruvian roots through shamanic dance to invoke healing and strength. Shot by Life Escobar. Directed and performed by Mabel Valdiviezo Una parte clave de mi proceso artístico para “Metamorfosis” es conectarme con la […]

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