Mugwumpin creates live art that ignites radical collaboration, empathy, and curiosity. Situated at the intersection of dance, theater, multimedia and visual art installation, Mugwumpin’s original performances push against formal boundaries and create sensory rich, physically rigorous, and theatrically innovative experiences for audiences.
Mugwumpin was formed in San Francisco in 2004 with the aim of reinvigorating live performance as a communal event. Since then, the ensemble has created 14 full productions and many durational and smaller scale works. Outside of the Bay Area, Mugwumpin has been presented by BAW Theater (Paris), Brotfabrik Theater (Bonn) and the Cairo International Festival of Experimental Theatre.
Mugwumpin’s last full-length production, “In Event of Moon Disaster,” sold out a month-long run at Z Below, won a Theater Bay Area Award for Projection Design, was nominated for an Isadora Duncan Dance Award for Visual Design, and was highlighted as “exactly the combination of whimsy, curiosity and dedication for which…Mugwumpin is known” (Lily Janiak, San Francisco Chronicle).
“The Looking Glass Self” reunites many of that production’s collaborators, including Michelle Talgarow, Natalie Greene, Wolfgang Wachalovsky, and Ray Oppenheimer. This event is a part of Mugwumpin’s 15th Anniversary Celebration, and continues our trajectory of breathtaking artistic experimentation.
Michelle Talgarow, a Kalmyk-Pinay Bay Area theatre-maker for over 20 years, specializes in the collaborative process in devising new work. She has strong roots at the EXIT Theatre where 2 of her murals can be seen. In addition to being a Mugwumpin company member, Michelle has been fortunate to have worked with many other local companies including Shotgun Players (Company Member), The Ground Floor at Berkeley Rep, Central Works, Impact Theatre, Ferocious Lotus, Cutting Ball Theatre, Magic Theatre, and Bindlestiff Studios.
Natalie Greene is a multidisciplinary performing artist who has been performing, teaching and creating in the Bay Area since 2003, and has served as the Artistic Director of Mugwumpin since 2016. She teaches in the Department of Performing Arts & Social Justice at the University of San Francisco. Her work has appeared at California Academy of Sciences, San Francisco Airport, Children’s Fairyland, Shotgun Players, ODC Theater, Dance Mission, Z Space, as well as in schools, senior centers, and site-specific locales throughout the Bay.
Ray Oppenheimer is a lighting designer, educator, creator who has been bringing his boundless curiosity, chimerical aesthetic, and a sisyphean perseverance to lighting design and education since 2005. Ray has been dabbling in modern manufacturing and prototyping techniques creating whimsical one of a kind art since 2008. He received his MFA in Theatre Arts with an emphasis in lighting design from SFSU in 2017, and is currently a company member with Mugwumpin and Shotgun Players.
Wolfgang Wachalovsky is a director-turned-designer with a special emphasis on video in performance and how to integrate video/projections into the performative space. This includes creating fully immersive video environments for audience and performers, live video manipulation and perspective shifting with video. He is a proud company member and the former Managing Director of Mugwumpin.
The Looking Glass Self is an immersive theater experience with movement and video, focusing on how truth and lies interact with technology. As we live with information at our fingertips, we navigate many forces which try to prescribe our realities. Video is no longer a credible source of truth. Footage is routinely manipulated, spread quickly through social media, and filtered through online mob mentalities; this provokes real-life consequences beyond the screen and beyond the subjects’ control. Anyone with a powerful home computer can create “Deepfakes”—realistic videos which place someone’s face on someone else’s body—and new face-swapping technology is being created everyday. We do not know what we can believe, and our laws and ethics are not prepared for the potential impact on politics, journalism, criminal justice and elsewhere.
The central questions of this piece are best summarized in the lyrics of an original song:
Do we even know the truth or how it was conceived? If we cannot tell a lie then what would we achieve? How do we deceive ourselves, and what will we believe? When truth won’t get us what we want, how do we proceed?
The Looking Glass Self offers audiences an embodied experience in which they realize the capabilities and potential impact of truth-altering video technology. As audiences interact with reality-warping visuals, they witness the manipulative proficiency of video editing processes in real time. “The Looking Glass Self” includes movement, comedy, live feed video, sophisticated projection mapping, and consensual audience participation. It’s science fiction on stage, like “Black Mirror” in theatrical space/time, with a visceral urgency created through audience interaction and body-based performance. We hope to create an atmosphere of deep inquiry—one where this unsettling subject matter is imaginable through aesthetic experience, where beauty, fun and artistry make way for new possibilities and serious contemplation.
Artist photo by Battista Remati. Cover photo of Super:Anti:Reluctant by Battista Remati
Year after year, CounterPulse brings you a little taste of everything that the Bay Area art scene has to offer and this Spring Season is no different! From contemporary dance to nightlife experiences to board game nights, there’s something for everyone coming up at 80 Turk! Want to bring a plus one to the show? […]
2022 marked a historic shift for CounterPulse – we raised the funds we need to buy our building in downtown San Francisco! As we work to make our dream a reality, we’re counting on our supporters who have seen us from the beginning of this campaign to support our work year-round. I want to offer […]
Written By: Alyssa Miller As queer performance art becomes more mainstream nationally and in San Francisco, it is important to recognize and support those queer artists who are eccentric even within their own communities. Drag performance artist Pseuda embodies the essence of unconventionality. They incorporate dark imagery and themes that are not common within the […]
CounterPulse was founded over 30 years ago in an oversized living room by a collective of artists who started producing shows and inviting their friends. They were fortunate enough to have that space to gather, so their community began to grow. We have always maintained the alchemy of those grassroots beginnings: part emergent and iterative, […]
Unsettled/Soiled Group is a group of East, Southeast, and South Asian diasporic movers, makers, and settlers on Ramaytush and Chochenyo Ohlone land. Unsettled/Soiled Group is led by June Yuen Ting, one of CounterPulse’s 2022 ARC Performing Diaspora artists and will debut Dwelling for Unsettling alongside VERA!’s Try, Hye!, Thursday through Saturday, December 8-10 & 15-17, 2022