The Artist Talks About His Upcoming Performance of FRE!HEIT with Michelle Jacques Get tickets now at www.counterpulse.com/fre-heit “I felt I was lacking freedom, but I couldn’t find out what made me feel so unfree,” performance artist and co-founder of Shifts– Art in Movement David Brandstätter tells me about the inspiration behind FRE!HEIT, his evening length work that […]
About This Artist
Meg Stuart, born in New Orleans, is an American choreographer and dancer who lives and works in Berlin and Brussels. The daughter of theatre directors, she began dancing and acting at an early age in California and regularly performed in her parents’ productions and those made by family friends. She made her first dance studies as a teenager focusing on simple movement actions. Stuart decided to move to New York in 1983 and studied dance at New York University. She continued her training at Movement Research where she explored numerous release techniques and was actively involved in the downtown New York dance scene.
About This Project
“How to translate sensations and inner monologues into movement? Is it possible to track the hesitation before speaking, the movements not chosen, the spaces we travel to when we are daydreaming, the memories and projections that cloud our awareness of the present?” [Meg Stuart]
In her solo works, Meg Stuart continues to venture into the monologue of movement, exploring everyday movements and physical conditions through improvisation. Over the past few years, she created several solos including XXX for Arlene and Colleagues (1995), soft wear (2000) and Signs of Affection (2010). An evening of solo works (2013) presents a selection of these former solo works, as well as excerpts from evening-length performances.
Inspired by ancestral, community-centered, and spiritual relationships to land and plants, [and then we must be] by Audrey Johnson is a research and ritual project honoring Black American practices with land and plants through the modes of food, farming, rootwork, and magic. The work honors the practices that get passed down through recipe, spell, and story, as well as the memories active and activated in the body, plants, the land (soil, clay, mycelium, strata), and in spirit.
Paying homage to Black American spirituality and African Diasporic rites of community, the 2022 CounterPulse Edge program presents [and then we must be] by Audrey Johnson and, in partnership with Afro Urban Society, Mixtape of the Dead & Gone #1- Egwu Onwu Ahamefula by Nkeiruka Oruche + Gbedu Town Radio. This year’s Edge performances invite the audience into conversation with the land, spirits, the afterlife, and the legacies that inform the rituals and practices around them.
SAN FRANCISCO, CA — CounterPulse is proud to be unveiling the new light sculpture titled “Elektra” on the façade of our building at 80 Turk St by the award-winning art and design studio FUTUREFORMS. The installation of this world-class public art installation marks the summit of CounterPulse’s current capital campaign to purchase their building in […]
Nkeiruka Oruche on ‘Mixtape of the Dead & Gone’, Proverbial Performance, and Igbo Practices of Mourning
“Traditionally, in Igbo cultures, we have had death as part of the conversation. We understand that life doesn’t end when you die. Ancestors are part of our life connection and day-to-day practice.”