About This Artist

Drawing from his background in a wide field of genres including rock, classical, film, theater, improvised, and electronic music – composer, producer, multi-instrumentalist Hahn Rowe has developed a uniquely personal sonic language which fuses disparate musical elements into atmospheric, sensual, and polymorphic soundscapes.

Equally at home performing on violin, guitar, turntables, and digital/electronic studio instruments, Hahn Rowe has retained his unique sensibilities while crossing musical borders. He has worked with Hugo Largo, David Byrne, Antony and the Johnsons, Hassan Hakmoun, Glenn Branca, Moby, Swans, Foetus, and R.E.M., among many others.

He is a 3 time Bessie Award recipient and his long-standing collaboration with Brussels/Berlin based choreographer Meg Stuart (DAMAGED GOODS) has resulted in the creation of 8 evening length dance/theater works. He has also created scores for choreographers Benoit Lachambre, Louise Lecavalier, and John Jasperse among others.

Hahn Rowe is active as a composer for film and television, creating scores for films such as CLEAN SHAVEN by Lodge Kerrigan, SPRING FORWARD by Tom Gilroy, and MARRIED IN AMERICA by Michael Apted.

 

About This Project

Observing the Supernatural grants access to a shared kaleidoscopic body.

Human and non-human actants camp together on a hot pink terrain under an unblinking fluorescent sky. With axes, wood, violin, electronics and the bare body, Simone Aughterlony, Antonija Livingstone and Hahn Rowe stage an inquiry into some vibrant matters.

Supernatural suggests a wilderness that signifies a plurality of agencies without ontological hierarchy – the vigour of the blade, the skin, the wood, the rope, the gaze, and all in our midst, buzz together lovingly in a hot debate on the political ecology of things.

Queer lives know that being in disguise can encourage the dissolution of normative identity patterns of recognition. Supernatural actively chops up the topography of gender perceptions and welcomes the joyful techno construction of multiple bodies and pleasures.

Is this movement research or fun post-porn practice?

Whatever it is, it brings the bodies and companion materials in conversation to know no difference between being excited, being exciting and being excited-with.

Upcoming Events

The CounterPulse Festival 2021

with FACT/SF, tinypistol, curbAlert, Krista DeNio >> Moving Ground, Faluda Islam / Zulfikar Ali Bhutto, Meg Foley, Skybridge, Marc Kate & Julie Phelps, Performance Primers, ArtSpan, and more
September 9-18, 2021

my beloved comet + Saint Leroi

tinypistol
September, 2021

Radius

Instigated by Julie Phelps and Marc Kate in collaboration with KD >> Moving Ground (Krista DeNio)
Sat, Sept 11, 2pm PDT at The McEvoy Foundation for the Arts and Sat, Sept 18, 5pm PDT at Djerassi Resident Artists Program

The ABJD series: Prologue 1009 آغاز ۱۰۰۹ and Heaven 58 جنة ۵۸

Zulfikar Ali Bhutto with Faluda Islam
Fri & Sat, Sept 10 & 15 in-person

Archived Events

Murals of the Tenderloin Walking Tour

Tenderloin Museum & CounterPulse
Sat, Jul 17, 12pm-2:30pm PDT

City Stories Workshop

San Francisco Creative Writing Institute
Thursdays, July 1 & 15, 12pm-2pm PDT at CounterPulse

Beyond Gravity 2021

Jess Curtis/Gravity
Fri & Sat, Jun 25 & 26, 7pm-8pm PDT

ArtSpan Virtual Reception with Elvira Dayel and Emily Gui

ArtSpan & CounterPulse
Thu, Jun 17, 6:30pm-7:30pm PDT

Blog Roll

  • Reverse Chariot I

    While at CounterPulse I first felt out the space and listened to mentor Joanna Haigood and used the first moments to get into my body and meditate on how I wanted to utilize it as a tool to begin telling these stories which I am still learning but that also live within me. I did […]

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  • Glitch Crush

    “Primeiro estranha-se, depois entranha-se” (At first it’s strange, then it gets into your veins) – Fernando Pessoa I am part of the Human/ID team, a collaboration with StratoFyzika and Ian Heisters that probes how identity is rendered legible (or illegible) through movement and technology.  Tagging onto the notion of digital flaws and their rich potential […]

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  • IDENTITY AND MOVEMENT: MOTION TRANSFER WITH NEURAL NETWORKS

    Deep fake dancing and breaking technology I’ve been talking with the StratoFyzika team about how identity resides in the body for their residency in CounterPulse’s Combustible program. We’re researching surveillance technology, machine learning, and dance for a performance in spring 2020. The research is conceptual as well as practical, and the following comprises my notes in building a first […]

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