About This Artist

Drawing from his background in a wide field of genres including rock, classical, film, theater, improvised, and electronic music – composer, producer, multi-instrumentalist Hahn Rowe has developed a uniquely personal sonic language which fuses disparate musical elements into atmospheric, sensual, and polymorphic soundscapes.

Equally at home performing on violin, guitar, turntables, and digital/electronic studio instruments, Hahn Rowe has retained his unique sensibilities while crossing musical borders. He has worked with Hugo Largo, David Byrne, Antony and the Johnsons, Hassan Hakmoun, Glenn Branca, Moby, Swans, Foetus, and R.E.M., among many others.

He is a 3 time Bessie Award recipient and his long-standing collaboration with Brussels/Berlin based choreographer Meg Stuart (DAMAGED GOODS) has resulted in the creation of 8 evening length dance/theater works. He has also created scores for choreographers Benoit Lachambre, Louise Lecavalier, and John Jasperse among others.

Hahn Rowe is active as a composer for film and television, creating scores for films such as CLEAN SHAVEN by Lodge Kerrigan, SPRING FORWARD by Tom Gilroy, and MARRIED IN AMERICA by Michael Apted.

 

About This Project

Observing the Supernatural grants access to a shared kaleidoscopic body.

Human and non-human actants camp together on a hot pink terrain under an unblinking fluorescent sky. With axes, wood, violin, electronics and the bare body, Simone Aughterlony, Antonija Livingstone and Hahn Rowe stage an inquiry into some vibrant matters.

Supernatural suggests a wilderness that signifies a plurality of agencies without ontological hierarchy – the vigour of the blade, the skin, the wood, the rope, the gaze, and all in our midst, buzz together lovingly in a hot debate on the political ecology of things.

Queer lives know that being in disguise can encourage the dissolution of normative identity patterns of recognition. Supernatural actively chops up the topography of gender perceptions and welcomes the joyful techno construction of multiple bodies and pleasures.

Is this movement research or fun post-porn practice?

Whatever it is, it brings the bodies and companion materials in conversation to know no difference between being excited, being exciting and being excited-with.

Upcoming Events

Secure Our Stage

Help CounterPulse Buy Our Building
We have $1 million left to raise to meet our $7 million goal this year! Donate Now!

the NETWORK project

KD>>MovingGround
Saturday - Sunday July 2-3, 2022 at 4:30PM PT

SF Arts Board Match

featuring CounterPulse, The Tenderloin Museum, Bay Area Video Coalition, and more!
Wednesday, July 13 at 6PM PT

GIRLFLY 2022

Flyaway Productions and the Museum of Craft and Design
Thursday & Friday, July 28-29 at 7PM PT

Archived Events

The ABJD Series

Zulfikar Ali Bhutto
Saturday June 11, 2022 • 4PM PT at The Roxie Theater

Edge Residency 2022 – SOLD OUT

Audrey Johnson & Nkeiruka Oruche
Thursday - Saturday June 2-4 & 9-11, 2022 at 8PM PT

FRE!HEIT

David Brandstätter
Friday - Saturday June 17 - 18, 2022 at 8PM PT, and Sunday June 19, 2022 at 2PM PT

Commedia dell’Arte and the Art of Improv in Drag

Presented by Oaklash
Tuesday May 24th at 6PM PT

Blog Roll

  • the NETWORK project

    Directed by Krista DeNio Created & performed by Chloe Crotzer, Diana Lara, Tanja London, Heidi Erickson, Ashley Munday, Maicha Folch, Midy Zarem, Rosemary Hannon, Grace Shaver  Presented by KD>>MovingGround, CounterPulse, and Djerassi Resident Artists Program July 2-3, 2022 • 4:30-7:30  PM PT counterpulse.org/network the NETWORK project addresses human survival and what we truly need– from […]

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  • The ABJD Film Series Comes to Its Conclusion

    The ABJD Series • Directed by Zulfikar Ali Bhutto • Presented by CounterPulse Saturday, June 11, 2022 • 4:00 PM PT • The Roxie Theater • counterpulse.org/the-abjd-series Tickets available here at a range of $14-$24. The ABJD Series is a four-part film series and finale of Zulfikar Ali Bhutto’s six year multi-media project, Tomorrow We […]

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  • Defining Freedom with David Brandstätter

    The Artist Talks About His Upcoming Performance of FRE!HEIT with Michelle Jacques This performance has been postponed until the Fall of 2022. Subscribe to our newsletter for more updates. “I felt I was lacking freedom, but I couldn’t find out what made me feel so unfree,” performance artist and co-founder of Shifts– Art in Movement […]

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  • Notes from the process : [and then we must be]

    Inspired by ancestral, community-centered, and spiritual relationships to land and plants, [and then we must be] by Audrey Johnson is a research and ritual project honoring Black American practices with land and plants through the modes of food, farming, rootwork, and magic. The work honors the practices that get passed down through recipe, spell, and story, as well as the memories active and activated in the body, plants, the land (soil, clay, mycelium, strata), and in spirit.

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  • CounterPulse Presents ARC Edge 2022

    Paying homage to Black American spirituality and African Diasporic rites of community, the 2022 CounterPulse Edge program presents [and then we must be] by Audrey Johnson and, in partnership with Afro Urban Society, Mixtape of the Dead & Gone #1- Egwu Onwu Ahamefula by Nkeiruka Oruche + Gbedu Town Radio. This year’s Edge performances invite the audience into conversation with the land, spirits, the afterlife, and the legacies that inform the rituals and practices around them.

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