About This Artist

Eisa Jocson is a contemporary choreographer and dancer from the Philippines. Originally trained as a visual artist, she won her first pole-dancing competition in Manila in 2010, and started pole ‘tagging’ and other public interventions in Manhattan and various cities.

Since then, Jocson has developed a powerful body of work that takes a fresh perspective on the commodification of the laboring body. CounterPulse, in collaboration with SFMOMA, will be presenting the entire suite of works in one weekend, Death of Pole Dancer, Macho Dancer, and the North American premiere of Host.

 

About This Project

From pole dancing to macho dancing, Eisa Jocson investigates the labour and representations of the dancing body in the service industry, and exposes gender formation, seduction politics, and Filipino social mobility.

In the double billed evening of works on Friday and Saturday, Death of the Pole Dancer interrogates the way we look at what we think we look at. The audience is brought to reflect on what they witness: a woman during the act of pole dancing. The performance renegotiates notions such as voyeurism and restrain, vulnerability and violence, sexuality and power.

Macho Dancer, explores the specific movement vocabulary and physicality of this form that is a unique phenomenon in the Philippines. Macho dancing is an economically-motivated language of seduction that employs masculinity as body capital. By framing a woman’s body in the act, Jocson challenges our perception of sexuality and questions gender as a tool for social mobility.

Join us Sunday for the North American premiere of Jocson’s Host,visiting the hostess clubs of Tokyo, where Filipino female and transgender hostesses engage in ‘affective labour’ by performing a version of femininity that caters to Japanese salary men. These hostesses employ mimetic strategies and hybrid identities to survive and succeed. It is in this role that we first discover Jocson: she is our host, receiving and entertaining the audience as guests. Host invites us to experience and reflect on feminine image formation by displaying forms of entertainment strategies associated with femininity and by exhibiting labor and body politics.

Upcoming Events

Secure Our Stage

Help CounterPulse Buy Our Building
We have $1 million left to raise to meet our $7 million goal this year! Donate Now!

the NETWORK project

KD>>MovingGround
Saturday - Sunday July 2-3, 2022 at 4:30PM PT

SF Arts Board Match

featuring CounterPulse, The Tenderloin Museum, Bay Area Video Coalition, and more!
Wednesday, July 13 at 6PM PT

GIRLFLY 2022

Flyaway Productions and the Museum of Craft and Design
Thursday & Friday, July 28-29 at 7PM PT

Archived Events

The ABJD Series

Zulfikar Ali Bhutto
Saturday June 11, 2022 • 4PM PT at The Roxie Theater

Edge Residency 2022 – SOLD OUT

Audrey Johnson & Nkeiruka Oruche
Thursday - Saturday June 2-4 & 9-11, 2022 at 8PM PT

FRE!HEIT

David Brandstätter
Friday - Saturday June 17 - 18, 2022 at 8PM PT, and Sunday June 19, 2022 at 2PM PT

Commedia dell’Arte and the Art of Improv in Drag

Presented by Oaklash
Tuesday May 24th at 6PM PT

Blog Roll

  • the NETWORK project

    Directed by Krista DeNio Created & performed by Chloe Crotzer, Diana Lara, Tanja London, Heidi Erickson, Ashley Munday, Maicha Folch, Midy Zarem, Rosemary Hannon, Grace Shaver  Presented by KD>>MovingGround, CounterPulse, and Djerassi Resident Artists Program July 2-3, 2022 • 4:30-7:30  PM PT counterpulse.org/network the NETWORK project addresses human survival and what we truly need– from […]

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  • The ABJD Film Series Comes to Its Conclusion

    The ABJD Series • Directed by Zulfikar Ali Bhutto • Presented by CounterPulse Saturday, June 11, 2022 • 4:00 PM PT • The Roxie Theater • counterpulse.org/the-abjd-series Tickets available here at a range of $14-$24. The ABJD Series is a four-part film series and finale of Zulfikar Ali Bhutto’s six year multi-media project, Tomorrow We […]

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  • Defining Freedom with David Brandstätter

    The Artist Talks About His Upcoming Performance of FRE!HEIT with Michelle Jacques This performance has been postponed until the Fall of 2022. Subscribe to our newsletter for more updates. “I felt I was lacking freedom, but I couldn’t find out what made me feel so unfree,” performance artist and co-founder of Shifts– Art in Movement […]

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  • Notes from the process : [and then we must be]

    Inspired by ancestral, community-centered, and spiritual relationships to land and plants, [and then we must be] by Audrey Johnson is a research and ritual project honoring Black American practices with land and plants through the modes of food, farming, rootwork, and magic. The work honors the practices that get passed down through recipe, spell, and story, as well as the memories active and activated in the body, plants, the land (soil, clay, mycelium, strata), and in spirit.

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  • CounterPulse Presents ARC Edge 2022

    Paying homage to Black American spirituality and African Diasporic rites of community, the 2022 CounterPulse Edge program presents [and then we must be] by Audrey Johnson and, in partnership with Afro Urban Society, Mixtape of the Dead & Gone #1- Egwu Onwu Ahamefula by Nkeiruka Oruche + Gbedu Town Radio. This year’s Edge performances invite the audience into conversation with the land, spirits, the afterlife, and the legacies that inform the rituals and practices around them.

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