About This Artist

Cherie Hill (choreographer) is a choreographer, dancer, teacher and scholar, whose art explores human expression and how it is conveyed through the body in collaboration with nature, music and visual imagery. Her IrieDance works have been showcased at the Live Oak Theatre, the African American Cultural Center, the Black Choreographer’s Festival, Anschultz Theatre, Bao Bao Festival, P.L.A.C.E Performance, the San Francisco Cathedral, Omni Oakland Commons, SF Moving Arts Festival, Kinetech Arts, Alena Museum, the Milk Bar, SAFEhouse Arts, and the Dance A World of Hope Festival in Holland, MI.

 

Lashon A. Daley (dancer) is a PhD Candidate in Performance Studies at the University of California, Berkeley. As a scholar, dancer, storyteller, and choreographer, Lashon thrives on bridging communities together through movement and storytelling. She holds an MFA in Writing from Sarah Lawrence College, and an MA in Folklore from UC Berkeley. In the past 15 years, Lashon has danced professionally with D’Project, N’Fungola Sibo African Dance and Drum Company, and Ballet Hysell. In recent years, she has trained with Joe Goode Performance Group, Kyle Abraham, Urban Bush Women, and at the Katherine Dunham Annual Technique Intensive in St. Louis.

 

Andreína Maldonado (dancer) is a Venezuelan performing artist, language interpreter, educator and social justice advocate based in San Francisco, California. She is the current recipient of the California Arts Council, the San Francisco Arts Commission and the National Association for Latino Arts & Culture (NALAC)  “artists in communities” grants for her work with day laborers and domestic workers in creating spaces self reflection, collaboration, and artistic expression through music and dance. Andreína collaborates with various Bay Area dance companies and choreographers as well as performing her own work.

 

Rose Rothfeder (dancer) is a student of Life, originally hailing from the Rocky Mountains. She is a lover of the Wild, and a devotee of Water. Dance has been food for her body and spirit since a young age. Rose has had the opportunity to work with young folks over the past 10 years – weaving the realms of nature connection,  mindfulness, yoga, arts, and music. She is currently studying herbalism at the California School of Herbal Studies in Forestville, California. Rose looks forward to integrating herbalism, embodiment, healing arts, regenerative culture, earth-based skills, and more into her unfolding service path.  

 

Imani Karpowich-Smith is an interdisciplinary artist and videographer from the East Bay. Earning her BFA from Mills College, Smith cultivates work inspired by her life experiences; exploring Multiraciality, Blackness, ancestry, and memory. This includes her ongoing series collecting interviews of the American Multiracial experience. In 2016 her student film, “Nappy” Makes me Happy, was featured in the fifth annual Greater Cleveland Urban Film Festival. Smith’s work continually evolves across mediums from 2-D, sculpture, to the dance projections featured in Cherie Hill’s performances.

 

Brizion (music artist) and DubStrand Studio first established in 2004 in San Diego, California, with the vision to create original meditative dubwise soundscapes and bass-heavy riddims that could inspire positive lyrical creation and serve as a dynamic foundation for deeper meditation, uplifting spiritual messages and reflection. At age 17, Brizion began creating original reggae riddims on a 4-track recorder. Since that time, has built up a production studio, live performance dub station and had the opportunity to connect and collaborate with singers, record labels and sound systems across Europe, Jamaica, North and South America. With a growing catalog of credits on 16+ vinyl singles and over 50 digital and CD albums, Brizion’s musical productions have been recognized and played by the world’s most respected roots sound-systems including Jah Shaka, Channel One, Aba Shanti I, Jah Tubbys and many more.

 

About this Project

She-Verse is a multi-media piece inspired by drifting water, land, ancestors, bravery, and eco-feminism. A meditation on dance, time, the body, femininity, and oneness with nature, She-verse choreography investigates intersections between traditional and contemporary dance, the earth and the female body, and the treatment of women to the treatment of land. The choreography looks at two traditional African Diaspora dances, one from Guinea, and one from Jamaica, and analyzes their movement qualities referred to as “movement essences”. These essences are used to create improvisational structures and contemporary dance phrases that derive from the traditional to expand into contemporary dance contexts. Dancers’ stories include movement related to #metoo, the colonization of the Caribbean Islands, and the survival tactics we need to exist in a world afflicted by oppression and the adverse effects of climate change.

She-verse embraces tenants of eco-feminism that speak to the parallels between oppression and domination of subordinate groups to the oppression and dominance of nature. How women are treated in misogynistic cultures relates to the abuse and rape of land experienced throughout the history of colonization and to the continued subordination of women and persons of color. Through meditative and dream-like states, dancers draw from the powers of nature and ancestry to communicate via the body the healing needed to restore balance to self and earth. Video filmed in nature reminds us that “She-verse” is always there, watching over, patiently awaiting the time for humanity to make amends to restore what is necessary for the sake of all beings and our planet.

 

 

 

Cover photo by Imani Karpowich-Smith 

 

Upcoming Events

A DOOR. A PORTAL. A PLACE

KH FRESH FESTIVAL '23
Saturday, January 21st - Friday, January 27th, 2023

CounterPulse Arts Kiosk

Rick Darnell & TenderArts
at the JCDecaux Kiosk at Market and 6th St

Trash Mash-Up Gallery Reception

Bridget and Jessica McCracken
Saturday, February 4th at 4PM PT

Gamehaus #1

Klanghaus
Saturday, February 4th at 6PM PT

Archived Events

Bloom Meetup & Pre-Show Mixer

before ARC Performing Diaspora 2022
Friday, December 9th at 7PM PT

Performing Diaspora Residency 2022

Vera Hannush/VERA! & Unsettled/Soiled Group
Thursday - Saturday, December 8-10 & 15-17 at 8PM PT

ArtSpan Artist’s Reception

Sylvie McClelland & Robin Varguez
Thursday, December 1st, 5-7PM PT

Circling Sorrows

Ariellah and Darker Still Productions
Thursday - Saturday, December 1-3 at 8PM PT

Blog Roll

  • WELCOME TO SPRING 2023 AT COUNTERPULSE

    Year after year, CounterPulse brings you a little taste of everything that the Bay Area art scene has to offer and this Spring Season is no different! From contemporary dance to nightlife experiences to board game nights, there’s something for everyone coming up at 80 Turk! Want to bring a plus one to the show? […]

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  • 2022 in Reflection

    2022 marked a historic shift for CounterPulse – we raised the funds we need to buy our building in downtown San Francisco!  As we work to make our dream a reality, we’re counting on our supporters who have seen us from the beginning of this campaign to support our work year-round. I want to offer […]

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  • ARC Alumni Artist Spotlight: Pseuda

    Written By: Alyssa Miller As queer performance art becomes more mainstream nationally and in San Francisco, it is important to recognize and support those queer artists who are eccentric even within their own communities. Drag performance artist Pseuda embodies the essence of unconventionality. They incorporate dark imagery and themes that are not common within the […]

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  • The Settler Body and Its Undoing

    Unsettled/Soiled Group is a group of East, Southeast, and South Asian diasporic movers, makers, and settlers on Ramaytush and Chochenyo Ohlone land. Unsettled/Soiled Group is led by June Yuen Ting, one of CounterPulse’s 2022 ARC Performing Diaspora artists and will debut Dwelling for Unsettling alongside VERA!’s Try, Hye!, Thursday through Saturday, December 8-10 & 15-17, 2022

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