About This Artist

The Bill T. Jones/Arnie Zane Company was born in 1982 out of an 11-year collaboration between Bill T. Jones and Arnie Zane (1948–1988). During this time, they redefined the duet form and foreshadowed issues of identity, form and social commentary that would change the face of American dance. The Company has performed worldwide in over 200 cities in 40 countries on every major continent and is recognized as one of the most innovative and powerful forces in the dance-theater world.

The repertory of the Bill T. Jones/Arnie Zane Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice and stagecraft and includes musically-driven works as well as works using a variety of texts. The Company has been acknowledged for its intensely collaborative method of creation that has included artists as diverse as Keith Haring, Cassandra Wilson, The Orion String Quartet, the Chamber Society of Lincoln Center, Fred Hersch, Jenny Holzer, Robert Longo, Julius Hemphill and Daniel Bernard Roumain, among others. The collaborations of the Bill T. Jones/Arnie Zane Dance Company with visual artists were the subject ofArt Performs Life (1998), a groundbreaking exhibition at the Walker Art Center in Minneapolis, MN.

About This Project

The Bill T. Jones/Arnie Zane Dance Company continues its exploration of chance as a mechanism for creating work with /Time: Study I, a unique, site‐specific work created at CounterPulse. With this work, Bill T. Jones returns to his roots, creating work in smaller, more intimate spaces. This new work, which relies on the laws of chance, will take place in a venue that is known as a key site in the global network of improvised dance. Inspired by legendary artist and composer John Cage’s Indeterminacy, the company will employ chance procedure to create a new collage of dance and music. Composer, musician, and intermedia artist Ted Coffey’s often minimal and shifting score offers another perspective on Cage’s methods in which time is the unifying element. The experience challenges audience members to find meaning and connection in the sweep of randomized, disparate elements.

Upcoming Events

Secure Our Stage

Help CounterPulse Buy Our Building
We have $1 million left to raise to meet our $7 million goal this year! Donate Now!

the NETWORK project

KD>>MovingGround
Saturday - Sunday July 2-3, 2022 at 4:30PM PT

SF Arts Board Match

featuring CounterPulse, The Tenderloin Museum, Bay Area Video Coalition, and more!
Wednesday, July 13 at 6PM PT

GIRLFLY 2022

Flyaway Productions and the Museum of Craft and Design
Thursday & Friday, July 28-29 at 7PM PT

Archived Events

The ABJD Series

Zulfikar Ali Bhutto
Saturday June 11, 2022 • 4PM PT at The Roxie Theater

Edge Residency 2022 – SOLD OUT

Audrey Johnson & Nkeiruka Oruche
Thursday - Saturday June 2-4 & 9-11, 2022 at 8PM PT

FRE!HEIT

David Brandstätter
Friday - Saturday June 17 - 18, 2022 at 8PM PT, and Sunday June 19, 2022 at 2PM PT

Commedia dell’Arte and the Art of Improv in Drag

Presented by Oaklash
Tuesday May 24th at 6PM PT

Blog Roll

  • the NETWORK project

    Directed by Krista DeNio Created & performed by Chloe Crotzer, Diana Lara, Tanja London, Heidi Erickson, Ashley Munday, Maicha Folch, Midy Zarem, Rosemary Hannon, Grace Shaver  Presented by KD>>MovingGround, CounterPulse, and Djerassi Resident Artists Program July 2-3, 2022 • 4:30-7:30  PM PT counterpulse.org/network the NETWORK project addresses human survival and what we truly need– from […]

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  • The ABJD Film Series Comes to Its Conclusion

    The ABJD Series • Directed by Zulfikar Ali Bhutto • Presented by CounterPulse Saturday, June 11, 2022 • 4:00 PM PT • The Roxie Theater • counterpulse.org/the-abjd-series Tickets available here at a range of $14-$24. The ABJD Series is a four-part film series and finale of Zulfikar Ali Bhutto’s six year multi-media project, Tomorrow We […]

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  • Defining Freedom with David Brandstätter

    The Artist Talks About His Upcoming Performance of FRE!HEIT with Michelle Jacques This performance has been postponed until the Fall of 2022. Subscribe to our newsletter for more updates. “I felt I was lacking freedom, but I couldn’t find out what made me feel so unfree,” performance artist and co-founder of Shifts– Art in Movement […]

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  • Notes from the process : [and then we must be]

    Inspired by ancestral, community-centered, and spiritual relationships to land and plants, [and then we must be] by Audrey Johnson is a research and ritual project honoring Black American practices with land and plants through the modes of food, farming, rootwork, and magic. The work honors the practices that get passed down through recipe, spell, and story, as well as the memories active and activated in the body, plants, the land (soil, clay, mycelium, strata), and in spirit.

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  • CounterPulse Presents ARC Edge 2022

    Paying homage to Black American spirituality and African Diasporic rites of community, the 2022 CounterPulse Edge program presents [and then we must be] by Audrey Johnson and, in partnership with Afro Urban Society, Mixtape of the Dead & Gone #1- Egwu Onwu Ahamefula by Nkeiruka Oruche + Gbedu Town Radio. This year’s Edge performances invite the audience into conversation with the land, spirits, the afterlife, and the legacies that inform the rituals and practices around them.

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