Directed by Krista DeNio Created & performed by Chloe Crotzer, Diana Lara, Tanja London, Heidi Erickson, Ashley Munday, Maicha Folch, Midy Zarem, Rosemary Hannon, Grace Shaver Presented by KD>>MovingGround, CounterPulse, and Djerassi Resident Artists Program July 2-3, 2022 • 4:30-7:30 PM PT counterpulse.org/network the NETWORK project addresses human survival and what we truly need– from […]
About This Artist
A Bay Area native, Mr. Antoine Hunter is an award-winning African-American Deaf producer, choreographer, film/theater actor, dancer, dance instructor, model, poet, speaker, mentor and Deaf advocate. Mr Hunter received his training in dance and acting training at Skyline High School Oakland, Ca, California Institute of the Arts(CalArts), and Paul Taylor Dance School in NYC. The founder and artistic director of Urban Jazz Dance, Hunter has performed with Savage Jazz Dance Company, Nuba Dance Theater, Alayo Dance Company, Robert Moses’ KIN, Man Dance, Sins Invalid, Amara Tabor-Smith, Kim Epifano, Push Dance Company, Fly Away Productions, Joanna Haigood, OET theater, and the Lorraine Hansberry Theater. He has performed throughout the Bay Area and the world including Cuba, Rome, Hawaii, Peru and London. Hunter is a faculty member at East Bay Center for the Performing Arts, Shawl-Anderson, Youth in Arts and Dance-A-Vision. He is the founder of Iron Tri-Angel Urban Ballet in Richmond, was an instructor and rehearsal director for the Ross Dance Company, dance captain for Expedia.com commercials and was head Choreographer director for an Philippines’s Musical “Amerikana-The Musical”. while he love doing short films and long films plus music videos, he was Head Choreographer for D-PAN: Deaf Professional Arts Network ASL Music Video: “Call Me Maybe” by Carly Rae Jepsen.
About this Project
Join CounterPulse and Antoine Hunter/Urban Jazz Dance Company for four evenings of compelling new works on what it means to be living in a “prison within a prison” as a deaf person.
Performers will be using sign language, spoken text, dance (modern and jazz), film, music, and silence to look at lives of deaf people: What does it mean to be a Deaf person in prison? A deaf woman of color? What is life as a gay black deaf man? In these interdisciplinary new works, we explore the tension between Deaf utopia and Deaf diaspora.
The ABJD Series • Directed by Zulfikar Ali Bhutto • Presented by CounterPulse Saturday, June 11, 2022 • 4:00 PM PT • The Roxie Theater • counterpulse.org/the-abjd-series Tickets available here at a range of $14-$24. The ABJD Series is a four-part film series and finale of Zulfikar Ali Bhutto’s six year multi-media project, Tomorrow We […]
The Artist Talks About His Upcoming Performance of FRE!HEIT with Michelle Jacques This performance has been postponed until the Fall of 2022. Subscribe to our newsletter for more updates. “I felt I was lacking freedom, but I couldn’t find out what made me feel so unfree,” performance artist and co-founder of Shifts– Art in Movement […]
Inspired by ancestral, community-centered, and spiritual relationships to land and plants, [and then we must be] by Audrey Johnson is a research and ritual project honoring Black American practices with land and plants through the modes of food, farming, rootwork, and magic. The work honors the practices that get passed down through recipe, spell, and story, as well as the memories active and activated in the body, plants, the land (soil, clay, mycelium, strata), and in spirit.
Paying homage to Black American spirituality and African Diasporic rites of community, the 2022 CounterPulse Edge program presents [and then we must be] by Audrey Johnson and, in partnership with Afro Urban Society, Mixtape of the Dead & Gone #1- Egwu Onwu Ahamefula by Nkeiruka Oruche + Gbedu Town Radio. This year’s Edge performances invite the audience into conversation with the land, spirits, the afterlife, and the legacies that inform the rituals and practices around them.