I finished the Witches book yesterday (thank you Nils). I’ve been reading two books about time, technology and the future: River of Shadows by Solnit (describing the development of the American railroad, westward expansion and the man who developed quick photography, leading to film) as well as After the Future by Biffo Berardi (theory book […]
About This Artist
MAR 22-25, THU-SUN
MASTERWORK is the most important performance of our generation and time, created and directed by one of the most important performers/artists of our generation and time — Mica Sigourney. With insightful vision and razor-sharp skill, Sigourney moulds his cast into a form that can only be described as “godlike”. Undercutting, subtextual, subtle and enormous, MASTERWORK is aptly named. This piece tells the audience “You are the audience. You will sit. You will be silent. And you will watch. You will know that you are the audience. We will impress you, and we will change you, and we will amaze you, and we will give you everything you ever wanted for 30 minutes.” Sigourney takes 12 of San Francisco’s most talented performers, known as “the disciples”, and sets them in images at once heartbreaking, profane and unimaginable. MASTERWORK not only addresses the macro performance but also the micro with fine pointed execution of physical movement through and within space. While specific issues of power and placement center and ground the piece, there also unfolds a beautiful maelstrom of ancient Greek-like pathos and popcultural decontextualization. MASTERWORK leaves us feeling like nothing can happen because everything already has.
Joining Mica Sigourney (VivvyAnne ForeverMORE!) on the path to fame and fortune are the (in)famous personalities Laura Arrington, Harold Burns, Rachael Dichter, Kolmel WithLove, Elijah Minnelli, Trixxie Carr, Tessa Wills, and Dia Dear. The glamour and the gore will be captured by video paparazzo John Foster Cartwright.
Mica Sigourney (AKA VivvyAnne ForeverMORE)
As student of theater and performance for 25 years, Sigourney has specialized in physical theater, improvisation and site specific performance. 6 years ago he fled the proscenium stage and traditional venues and refocused his energies on go-go performance installations and the populace stages of the nightlife. 2 years ago he created drag persona VivvyAnne ForeverMORE! and since has performed on stages and festivals in San Francisco, L.A. New York, and London, and in the deYoung, the New Museum (NYC) and Yerba Buena Center for the arts. In 2008 Sigourney founded the performance group OX of which he is the artistic director.
Sigourney also produces the WORK MORE! series, a twice a year drag production featuring nightlife performers presented in a “real” theater context, where their processes are exposed, and their boundaries pushed. As a writer his work has been featured as part of the Radar Reading series alongside San Francisco’s Poet Laureate.
OX, founded in 2008, Mica Sigourney, explores the tension between artifice and authenticity through non-traditional physical theater, improvisation and site specific performance. OX self-produces large-cast live theater events, participates in large group shows and co-curates evening-length performances using traditional queer modalities of theatrics such as drag, nightlife entertainment and go-go performance as a point of departure.
OX is a loose knit group of fiercely committed, magically present and challengingly individual solo performers who come together to make whole works greater than the sum of their individualities under the creative direction of Mica Sigourney.
May 13, 2015
May 12, 2015
“The supernatural is nowadays often seen as opposed to technologies, but the technologies of the era often seemed supernatural themselves. In the well-known words of science-fiction writer Arthur C. Clarke, “Any sufficiently advanced technology is indistinguishable from magic.” It is only becuase nature no longer seems so strong and immutable a force that changes no longer […]
May 11, 2015
“A riot literally tears the city apart. It is a striation…like a skater from the days before skateparks, it sketches invisible trajectories in the urban motif. A shapeless event that eludes reification, even if it relates to rituals, and thus summons the repertoire of tricks and knowledge accumulated by a provisional community bound by a […]
May 6, 2015
Hello Other (X)Changers, I have a proposal for our process. I’m usually drawn to the obvious, or blatant. I am also fascinated by impersonation, doubling and repetition (not just as a compositional tool but also as a process). I propose that our exchange be direct, meaning each of us recreates a work by another in […]
March 12, 2012