The book connects the Muscogee sacred history with the land, the spirit world, the confederacy`s sociopolitical organization, and its ceremonial cycle in a carefully researched and well-written single volume. It is an exploration of Muscogee Creek values and views, including concepts of nature, genesis, gender relations, religion, and history. www.books.aisc.ucla.edu/books/sacredpath.aspx I reconnected with a dear […]
About This Artist
Melissa Lewis (顾眉) is a ChineseAmerican artist working with mixed identities and mediums. Her work has been presented here and abroad. She thinks often of decolonization, mother tongues, and queerness. Melissa has been dreaming and reading about Bruce Lee for the last year, and comes from a background of traditional Chinese folk arts.
Current Key Collaborators:
Brenton Cheng. Rose Huey. Kim Ip. Nina Wu.
About this Project
An all-Chinese cast performs identity, martial arts technique, and cha-cha. This research-driven, interdisciplinary work considers Bruce Lee and his legacy as local master, film icon and hero.
Photos courtesy of Melissa Lewis
On January 25th 2020, Lahore—Pakistan’s self proclaimed ‘cultural capital’—launched its second art biennale in multiple venues throughout this historic city, from 16th century forts and bath houses to contemporary museums and public parks. The theme this year: Between the Sun and the Moon is an ode to Muslim sciences that once thrived here, in particular, […]
Before I came to CounterPulse, I had a dream job that can be roughly defined by this checklist: A supportive space for experimental, anti-institutional art. A critically thinking and politically engaged community. A platform that is both accessible and uplifting of marginalized voices. It feels surreal that I had found a place like CounterPulse […]
People! This is Jesse Hewit. Ya’ll, I’m not gonna beat around the bush: 2019 has been a doozy. It felt like the world was extra on fire. As I reflect on the big and fast and difficult swirl of the past year, I think of just how much I needed CounterPulse. I needed pulsating, breathy, sharp art. I […]
In 2006, I hosted my first audition for Cherie Hill IrieDance performers. I desired an all-black female cast. I yearned to deepen my self-knowledge of being a black woman making dance and to analytically understand how aesthetics relate to white and black culture. In 2014, I looked for something different. I sought movers who could […]