The book connects the Muscogee sacred history with the land, the spirit world, the confederacy`s sociopolitical organization, and its ceremonial cycle in a carefully researched and well-written single volume. It is an exploration of Muscogee Creek values and views, including concepts of nature, genesis, gender relations, religion, and history. www.books.aisc.ucla.edu/books/sacredpath.aspx I reconnected with a dear […]
Javier Stell-Fresquez, Ivan “Ivy” Monteiro, Davia Spain
About This Artist
Javier Stell-Fresquez (Chican@, Tigua & Piro Native), Ivan “Ivy” Monteiro (Brasil), and Davia Amerasu Spain (San Francisco Bay Area native), compose a trinity of young, fierce, POC femme artists. Our collective expertise spans theater, sound and video production, dance, and organizing, as well as drag, among other forms that our queer ancestors developed in queer nightlife spaces, and backyard family barbecues.
Applying intersectional and intertribal methods, we set our triune gaze on the landfill that is our present society. Holding up umbilical and ancestral knowledge as we decolonize the future, our very existence and emergent voices defy neocolonialism, white supremacy, and patriarchy.
About This Project
Mother The Verb is a Queer/Trans performance dance, produced and created by Ivan Monteiro (Brasil), Javier Stell-Fresquez (Chican@ originally from El Paso, Tigua & Piro Native), and Davia Amerasu Spain (San Francisco Bay Area native), a trinity of young, fierce, POC femmes fucking up post-colonialism, white supremacy and patriarchy one breath at a time. This trinity will be making a new experimental performance piece exploring the glorification and damnation of our many mothers, asking how we can transcend the toxins flowing in our bodies and societies.
Follow their progress and community work at Facebook.com/MotherTheVerb
On January 25th 2020, Lahore—Pakistan’s self proclaimed ‘cultural capital’—launched its second art biennale in multiple venues throughout this historic city, from 16th century forts and bath houses to contemporary museums and public parks. The theme this year: Between the Sun and the Moon is an ode to Muslim sciences that once thrived here, in particular, […]
Before I came to CounterPulse, I had a dream job that can be roughly defined by this checklist: A supportive space for experimental, anti-institutional art. A critically thinking and politically engaged community. A platform that is both accessible and uplifting of marginalized voices. It feels surreal that I had found a place like CounterPulse […]
People! This is Jesse Hewit. Ya’ll, I’m not gonna beat around the bush: 2019 has been a doozy. It felt like the world was extra on fire. As I reflect on the big and fast and difficult swirl of the past year, I think of just how much I needed CounterPulse. I needed pulsating, breathy, sharp art. I […]
In 2006, I hosted my first audition for Cherie Hill IrieDance performers. I desired an all-black female cast. I yearned to deepen my self-knowledge of being a black woman making dance and to analytically understand how aesthetics relate to white and black culture. In 2014, I looked for something different. I sought movers who could […]