About This Artist

Eisa Jocson is a contemporary choreographer and dancer from the Philippines. Originally trained as a visual artist, she won her first pole-dancing competition in Manila in 2010, and started pole ‘tagging’ and other public interventions in Manhattan and various cities.

Since then, Jocson has developed a powerful body of work that takes a fresh perspective on the commodification of the laboring body. CounterPulse, in collaboration with SFMOMA, will be presenting the entire suite of works in one weekend, Death of Pole Dancer, Macho Dancer, and the North American premiere of Host.

 

About This Project

From pole dancing to macho dancing, Eisa Jocson investigates the labour and representations of the dancing body in the service industry, and exposes gender formation, seduction politics, and Filipino social mobility.

In the double billed evening of works on Friday and Saturday, Death of the Pole Dancer interrogates the way we look at what we think we look at. The audience is brought to reflect on what they witness: a woman during the act of pole dancing. The performance renegotiates notions such as voyeurism and restrain, vulnerability and violence, sexuality and power.

Macho Dancer, explores the specific movement vocabulary and physicality of this form that is a unique phenomenon in the Philippines. Macho dancing is an economically-motivated language of seduction that employs masculinity as body capital. By framing a woman’s body in the act, Jocson challenges our perception of sexuality and questions gender as a tool for social mobility.

Join us Sunday for the North American premiere of Jocson’s Host,visiting the hostess clubs of Tokyo, where Filipino female and transgender hostesses engage in ‘affective labour’ by performing a version of femininity that caters to Japanese salary men. These hostesses employ mimetic strategies and hybrid identities to survive and succeed. It is in this role that we first discover Jocson: she is our host, receiving and entertaining the audience as guests. Host invites us to experience and reflect on feminine image formation by displaying forms of entertainment strategies associated with femininity and by exhibiting labor and body politics.

Upcoming Events

Fall 2019 Member Drive

Join CounterPulse Today!

Open Stage at CounterPulse

Wed, Sept 4, 6pm-7:30pm

tiny little get down

tinypistol + little seismic dance company
Fri, Sept 6, 7:30pm-9pm

Crochet Jam at Block Fest

Ramekon O’Arwisters
Fri, Sept 6, 3pm-5pm

Archived Events

Troop Pop-up Cocktail Garden

Fall Membership Drive Launch
Sat, Aug 17, 4pm-7pm

Flagging at Block Fest

William Taylor Barros, Alejandro Upchurch & Steve Tanksley
Fri, Jun 28, 3:00pm-5:00pm

Tomorrow We Inherit the Earth: The Queer Intifada

Directed by Zulfikar Ali Bhutto and collaboratively written and devised
Thu-Sat, Jun 20-22, 8pm-9pm

ARRUDA

Aguas Da Bahia directed by Tania Santiago and Co-produced by Stephanie Bastos
Thu-Sat, Jun 13-15, 8pm

Blog Roll

  • Choreo-projection, Mugwumpin and me

    The first day I stepped into Mugwumpin’s brainstorming session for The Looking Glass Self I had no idea what to expect. As Mugwumpin’s summer intern, I’ve been in the Project Space with Mugwumpin during their Combustible Residency rehearsals for 4 months now. I’ve worked as an Assistant Stage Manager, I’ve stood in as a practice […]

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  • Fall 2019 at CounterPulse

    Mark your calendars, CounterPulse is moving full throttle in a relentlessly risk-taking performance line-up this Fall. See our Fall 2019 performance schedule and get tickets below! Combustible Residency 2019 Mugwumpin: The Looking Glass Self Mabel Valdiviezo with Travis Bennett: Metamorphosis: Phase 1 Sept 12-14 & 19-21, Thu-Sat, 7:30pm & 8:15pm Pay-what-you-can Thursdays   CounterPulse is […]

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  • The Looking Glass Self

    Mugwumpin Company Member Ray Oppenheimer on the development of The Looking Glass Self One of the things that I am interested in is the democratization of technology, lowering the barrier for the creation of high quality digital falsehood. As a tool to explore this loss of autonomy and ease of creation we decided to experiment […]

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  • The Tenderloin Art Lending Library (TALL) is a queer-artist-run project that lends artwork to Tenderloin community members free-of-charge. TALL is a trust-based program where artists—the majority of whom are homeless, formerly homeless, and live or work in the Tenderloin—donate artwork that is available for loan to any member of the Tenderloin community free-of-charge. TALL is […]

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