Interview conducted by Claire Frost, Artspan Program Manager, on January 28, 2019 Claire Frost: How do you see your work and your practice fitting into CounterPulse’s space + programming? How does this space contextualize (or not) your work? Brea Weinreb: Similar to CounterPulse, community is integral to my work. Every figure painting I’ve ever made has […]
Bill T. Jones/Arnie Zane Company
About This Artist
The Bill T. Jones/Arnie Zane Company was born in 1982 out of an 11-year collaboration between Bill T. Jones and Arnie Zane (1948–1988). During this time, they redefined the duet form and foreshadowed issues of identity, form and social commentary that would change the face of American dance. The Company has performed worldwide in over 200 cities in 40 countries on every major continent and is recognized as one of the most innovative and powerful forces in the dance-theater world.
The repertory of the Bill T. Jones/Arnie Zane Company is widely varied in its subject matter, visual imagery and stylistic approach to movement, voice and stagecraft and includes musically-driven works as well as works using a variety of texts. The Company has been acknowledged for its intensely collaborative method of creation that has included artists as diverse as Keith Haring, Cassandra Wilson, The Orion String Quartet, the Chamber Society of Lincoln Center, Fred Hersch, Jenny Holzer, Robert Longo, Julius Hemphill and Daniel Bernard Roumain, among others. The collaborations of the Bill T. Jones/Arnie Zane Dance Company with visual artists were the subject ofArt Performs Life (1998), a groundbreaking exhibition at the Walker Art Center in Minneapolis, MN.
About This Project
The Bill T. Jones/Arnie Zane Dance Company continues its exploration of chance as a mechanism for creating work with /Time: Study I, a unique, site‐specific work created at CounterPulse. With this work, Bill T. Jones returns to his roots, creating work in smaller, more intimate spaces. This new work, which relies on the laws of chance, will take place in a venue that is known as a key site in the global network of improvised dance. Inspired by legendary artist and composer John Cage’s Indeterminacy, the company will employ chance procedure to create a new collage of dance and music. Composer, musician, and intermedia artist Ted Coffey’s often minimal and shifting score offers another perspective on Cage’s methods in which time is the unifying element. The experience challenges audience members to find meaning and connection in the sweep of randomized, disparate elements.
UNEARTHED is a night of video installations and performances by Bay Area emerging artists exploring ancestry and diaspora, trauma and healing, vulnerability and sexuality, and questions about our past and future. Co-curator Claire Staples interviews three of the artists: Titania Kumeh Claire Staples: You have been exploring the bathtub birth story in your performance work for […]
December 20, 2018
In Spring 2019, CounterPulse threads through time in the twilight between performance and uprising. Our only question is, will you join us? Spring 2019 Performance Calendar tiny little get down tinypistol + little seismic dance company Jan 25, Fri, 7:30pm-9pm Need to let off a little steam? tinypistol’s Maurya Kerr and little seismic dance […]
Performing Diaspora 2018 artists Cynthia Ling Lee and Melissa Lewis in conversation. Cynthia Ling Lee: I’m excited to chat about your work today! Tell me a little about the initial inspiration for your work. Where did it come from? Melissa Lewis: I had this wild and weird dream some time ago. Bruce Lee (or some version […]
I dreamed Bruce Lee was my father by Melissa Lewis (顾眉) runs Thu-Sat, Dec 6-8 and 13-15 as part of a double-billed performance with Cynthia Ling Lee. Get tickets to Performing Diaspora 2018 at counterpulse.org/performing-diaspora-2018